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Los Angeles Plays Itself (2004)
Rated: NC
Runtime: 2 hrs 49 mins
Theatrical Release: 10-12-2004
Synopsis: Thom Andersen is a film teacher, Los Angeles resident, and film fanatic. He believes that his city--the most photographed in the world--gets short shrift on the silver screen. To illustrate this point, Andersen has stitched together a montage of scenes from hundreds of different movies,... Thom Andersen is a film teacher, Los Angeles resident, and film fanatic. He believes that his city--the most photographed in the world--gets short shrift on the silver screen. To illustrate this point, Andersen has stitched together a montage of scenes from hundreds of different movies, and created his debut feature film, LOS ANGELES PLAYS ITSELF. Splitting the film into three parts, Andersen begins with "The City as Background." Here, he looks at the way some of Los Angeles' finest architecture is abused in the movies. A particular Frank Lloyd Wright house, for example, has been used in over 30 films, including BLADE RUNNER and BLACK RAIN. But why, the director ponders, is it usually used to house characters of villainous intent? Next, Andersen presents "The City As Character," which looks at how Los Angeles often takes on the role of treacherous co-star. He shows how the city has become a welcome target for aliens, (INDEPENDENCE DAY), an architectural bore (POINT BLANK), riddled with corrupt cops (L.A. CONFIDENTIAL), and a former consumerist mecca (THE OMEGA MAN). The film concludes with "City as Subject," in which Andersen highlights the many social and economic problems the city has faced, and how they have been committed to celluloid. He principally looks at CHINATOWN, as well as lesser-known African-American films such as BUSH MAMA and THE KILLER OF SHEEP. Andersen is a big fan of the latter two movies, believing they are among the very few to accurately portray the city he loves. Absorbing, obsessive, and highly unique, Thom Andersen's film is a labor of love that cinephiles should find fascinating. [More]
Genre: Education/General Interest
Reviews
An intellectually rigorous but enjoyable essay on the way the city of angels has become Hollywood's favourite location.
The sheer scope is astonishing, as is the fact that even after nearly three hours we don't want it to end!
Using well-chosen clips from roughly 200 films, many of them obscure, Andersen makes a powerful and impassioned case for reassessing his beloved city.
An ultimate movie clip junkie film, a video store fantasy with a pulse and a brain.
An ingenious, if somewhat dry and overlong, account of how the movies have depicted the various textures, tensions and ambiguities that make up the City of Angels.
It's like being squired through town by a wisecracking cabbie with a PhD in semiotics.
... as provocative a movie as I’ve seen in the last couple years...
[A] passionate call for a more accurate account of the diverse struggles, hopes, and joys to be found throughout the city of angels.
Its formidable intellectual heft aside, there's great pleasure to be had in just looking at this guided tour of L.A, fact and fiction.
Brilliantly discursive, filled with intriguing detours that follow connections only the director's mind could make, Los Angeles Plays Itself, will please natives of this city more than any other.
Three words of advice to those who haven’t yet seen it: Run, don’t walk.
Watching this film is like spending an evening with a prickly, opinionated, thoughtful cineaste friend -- one who has a vast stock of DVDs at the ready.
The commentary alternates between witty insight and opinionated bunk, but it's always fun -- and a must-see for movie buffs.
The film creates a revolutionary lens through which the movies' relationship to Los Angeles will never look the same.
I will dispense with my objections by saying that, with so much on his mind, Andersen sometimes organizes the work in the manner of a saloon orator: 'And another thing.' Apart from that, though, I like pretty much everything he's done.
It qualifies as film criticism on the highest level -- analytical, transformative, and political.


Top Critic