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The Lost Skeleton of Cadavra (2004)
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Reviews Counted:66
Fresh:35
Rotten:31
Average Rating:5.9/10
Consensus: Lost Skeleton is clever at spoofing B-movies, but the joke isn't sustainable for its running time.
Runtime: 90 mins
Genre: Comedies
Synopsis: It's 1961 and Dr. Paul Armstrong (Larry Blamire) and his lovely wife Betty (Fay Masterson) head into the mountains in search of a recently fallen meteor containing the rare element atmosphereum.... It's 1961 and Dr. Paul Armstrong (Larry Blamire) and his lovely wife Betty (Fay Masterson) head into the mountains in search of a recently fallen meteor containing the rare element atmosphereum. Paul needs it to help him with his science work, but Betty'd just as soon have a vacation. Also in the area, sinister Dr. Roger Fleming (Brian Howe) asks trusty Ranger Brad (Dan Conroy) the whereabouts of Cadavra Cave, mysterious home to rumors of a legend of the Lost Skeleton." That night, both parties witness what appears to be yet another meteor falling. Immediately after, a local farmer is killed by a horrible, unseen thing. Is there a connection? Indeed there is. The second meteor is actually a disabled alien spaceship with a strange couple from the planet Marva, Krobar (Andrew Parks) and Lattis (Susan McConnell). These aliens discover they also need Atmosphereum to power their really high tech ship, and notice their horrible pet mutant (Darrin Reed), which they travel around with for some reason, has escaped. Unfortunately, Dr. Fleming discovers he also needs the atmosphereum to bring to life the dreaded Lost Skeleton of Cadavra which he finds in the cave. After the aliens disguise themselves as earth people with the aid of their "transmutatron", Dr. Fleming swipes it and morphs four different forest animals into his own ally - the beautiful cat-suited Animala (Jennifer Blaire). Now everyone's after the atmosphereum and the Armstrongs find they have their hands full, capturing the mutant, stopping the evil scientist, and vanquishing the power-mad Skeleton who wants to rule the world. [More]
Starring: Larry Blamire, Fay Masterson, Andrew Parks, Susan McConnell
Starring: Larry Blamire, Fay Masterson, Andrew Parks, Susan McConnell, Brian Howe, Jennifer Blaire, Robert Deveau
Director: Larry Blamire
Director: Larry Blamire
Screenwriter: Larry Blamire
Producer: F. Miguel Valenti
Studio: Sony Pictures Entertainment
Reviews for The Lost Skeleton of Cadavra
There are only so many jabs you can take at B-movie genre tropes before you run out of gags.
The Lost Skeleton of Cadavra has to be one of the greatest parodies of old black and white sci-fi movies to date. It is just brilliant.
While the film gets by on its inoffensive glibness, it's weighed down by the very elements that make even the kitschiest B-movie classics seem draggy.
Has been made by people who are trying to be bad, which by definition reveals that they are playing beneath their ability.
The makers of The Lost Skeleton of Cadavra can't quite live up to the 1950s-era B-movies that they parody.
Blamire tires to re-create [Ed] Wood's stilted dialogue, but just because Wood was bad, it doesn't mean this is an easy job.
When such amazing artifacts of genuine 1950s ineptitude as 'Robot Monster' are available on DVD, it's hard to imagine why anyone would prefer this ersatz cult readymade...
It sounds like a marvelous idea... until you actually watch the movie.
Since there's no shortage of enjoyably bad movies out there, why settle for processed cheese when there's real cheddar to be devoured?
It's all great fun, and Blamire has at least as promising a future as all this dot.com nonsense.
It's not really cheese, it's Velveeta. As many who have tried have learned, midnight movies can not be manufactured, they must be discovered.
You don't have to be some obscure movie junkie to enjoy it, you just have to have a sense of humor.
This homage, affectionate though it is, lacks the additional wit needed to carry a feature-length parody.
No, Cadavra isn’t for everyone, but what a great gift to fans of drive-in flicks the world over.
In a way, this failure is a product of its success: so adept is Blamire's backhanded homage that it results in a film every bit as gruelling as its antecedents.
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