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Love in the Time of Money (2002)
Runtime: 87 mins
Synopsis: Peter Mattei's depressing, bleakly humorous drama paints a grim portrait of life in the big city. The film follows nine confused and desperate New Yorkers who are looking for love in all the wrong places: an inexperienced prostitute (Vera Farmiga), a troubled contractor (Domenick... Peter Mattei's depressing, bleakly humorous drama paints a grim portrait of life in the big city. The film follows nine confused and desperate New Yorkers who are looking for love in all the wrong places: an inexperienced prostitute (Vera Farmiga), a troubled contractor (Domenick Lombardozzi), an unstable housewife (Jill Hennessy), her repressed husband (Malcolm Gets), a smitten artist (Steve Buscemi), a beautiful gallery worker (Rosario Dawson), her free-spirited boyfriend (Adrien Grenier), a lonely psychic (Carol Kane), and a suicidal businessman (Michael Imperioli). As these characters listlessly bump into and out of one another's lives, it becomes painfully clear just how desperate they are to make a connection. By using a non-traditional, episodic chain reaction technique, Mattei is able to better represent the broad range of character types and personalities that populate New York City. And while these individuals may be superficially distinct based on profession or personal appearance, their inner torment is the same. They are all lonely, unhappy, and desperately searching for an interaction that will numb their pain, if only for a few fleeting moments. Unfortunately for them, Mattei doesn't provide any fairy tale endings, which brings even more reality to their already depressing lives. [More]
Genre: Dramas
Starring: Vera Farmiga, Dominick Lombardozzi, Jill Hennessy, Malcolm Gets, Steve Buscemi
Screenwriter: Peter Mattei
Producer: Joana Vicente, Jason Kliot, Gretchen McGowan
Composer: Theodore Shapiro
DVD Info
Release:
Jan 6, 2004
Reviews
It is a great character study that ranks with Paul Thomas Anderson's epic Magnolia.
The latest vapid actor's exercise to appropriate the structure of Arthur Schnitzler's Reigen.
I'm sure the filmmakers found this a remarkable and novel concept, but anybody who has ever seen an independent film can report that it is instead a cheap cliché.
[I]f you've been to more than one indie flick in your life, chances are you've already seen this kind of thing.
The overall fabric is hypnotic, and Mr. Mattei fosters moments of spontaneous intimacy.
Despite impeccable acting ... and a script that takes some rather unexpected (even, at times, preposterous) turns, Love is just too, too precious in the end.
The problems of the people in Love in the Time of Money are hardly specific to their era. They just have problems, which are neither original nor are presented in convincing way.
It doesn't help that the director and cinematographer Stephen Kazmierski shoot on grungy video, giving the whole thing a dirty, tasteless feel.
If this is an example of the type of project that Robert Redford's lab is willing to lend its imprimatur to, then perhaps it's time to rethink independent films.
Mattei's underdeveloped effort here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from Stock Character camp -- a drowsy drama infatuated by its own pretentious self-examination.
Unfortunately, a cast of competent performers from movies, television and the theater are cast adrift in various New York City locations with no unifying rhythm or visual style.
Will probably be one of those movies barely registering a blip on the radar screen of 2002.
An intriguing cinematic omnibus and round-robin that occasionally is more interesting in concept than in execution.
An exercise in cynicism every bit as ugly as the shabby digital photography and muddy sound.
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by: graded_card_sale 5/8/04


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