Louiso wrings all he can from performers and audience alike.
Love Liza (2002)
Tomatometer
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Reviews Counted:85
Fresh:46
Rotten:39
Average Rating:5.9/10
Consensus: Hoffman's performance is strong, but the lack of character development and story arc makes Love Liza unsatisfying.
Runtime: 1 hr 33 mins
Genre: Dramas
Synopsis: Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to... Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to worry about his erratic behavior, they convince him to take a leave of absence to deal with his loss. Liza's mother (Kathy Bates) offers support to Wilson, but when she finds out that he won't open the note, their relationship turns sour. Wilson's life becomes even more tragic when he begins sniffing gasoline as a means to dull his pain, explaining his gas consumption as the result of his interest in model airplanes. A film about grief that provides no easy answers, LOVE LIZA showcases an exceptionally strong lead performance by Hoffman. Wilson's misguided grieving process may be difficult viewing for some, especially during moments which come off as absurdly comic (cued by Jim O'Rourke's superb bossa nova influenced score). But under the direction of first-timer Todd Louiso, this very subtle and deliberately paced work will reward anyone willing to go to the often uncomfortable places it reaches. The strikingly original screenplay by Gordy Hoffman (brother of the film's star) was the winner of the Waldo Salt Screenwriting award at the 2002 Sundance Film Festival. [More]
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh, Jimmy Raskin, Jack Kehler, Sarah Koskoff
Director: Todd Louiso
Director: Todd Louiso
Screenwriter: Gordy Hoffman
Producer: Ruth Charny, Chris Hanley, Jeff Roda, Fernando Sulichin
Studio: Sony Pictures Classics
Reviews for Love Liza
I was feeling this movie until it veered off too far into the Exxon zone, and left me behind at the station looking for a return ticket to realism.
Messy, rambling and often as incoherent as the protagonist's fume-induced stupor.
It's hard to love Love Liza, Todd Louiso's well-crafted but grim exercise in misery, but hiding within it are moments of exquisite acting.
This is a nicely handled affair, a film about human darkness but etched with a light (yet unsentimental) touch.
Despite Hoffman's best efforts, Wilson remains a silent, lumpish cipher; his encounters reveal nothing about who he is or who he was before.
There is a kind of attentive concern that Hoffman brings to his characters, as if he has been giving them private lessons, and now it is time for their first public recital.
Hoffman spends a good deal of screen time alone and without much dialogue, using only his considerable physical skill and screen presence to pull off the role.
... while each moment of this broken character study is rich in emotional texture, the journey doesn't really go anywhere.
Louiso has a confident touch and a good eye, and there isn't a scene in the film that wasn't intelligently done.
One can only assume that the jury who bestowed star Hoffman's brother Gordy with the Waldo Salt Screenwriting award at 2002's Sundance Festival were honoring an attempt to do something different over actually pulling it off
Instead of moving us, the script annoys; instead of amusing, it puzzles.
Oddly, the film isn't nearly as downbeat as it sounds, but strikes a tone that's alternately melancholic, hopeful and strangely funny.
Hoffman notches in the nuances of pain, but his smart, edgy voice and waddling profile (emphasized here) accent the humor of Wilson's plight, and that saves his pathos from drippiness.
Louiso lets the movie dawdle in classic disaffected-indie-film mode, and brother Hoffman's script stumbles over a late-inning twist that just doesn't make sense.
Hoffman is understandably concerned about typecasting, but he is indeed the man for the job, recalling the intensity that Nicholas Cage brought to an Oscar-winning performance in Leaving Las Vegas.
It doesn't pay off, which makes the emotional torment it depicts almost painful to endure.
Latest News for Love Liza
June 09, 2005:
Paramount Confirms "Mission: Impossible 3" is a Go
Just a day after dropping their proposed "Watchmen" adaptation, Paramount Pictures announced that "Mission: Impossible 3" will go into production on July... More...
May 06, 2005:
Connelly and P.S. Hoffman to Do a New "Macbeth"
Director Todd Louiso ("Love Liza") has been trying to get his "Macbeth" adaptation off the ground for a while, and it looks like things are finally moving... More...
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