A picture as erratic as its central character.
Love Liza (2002)
Tomatometer
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Reviews Counted:85
Fresh:46
Rotten:39
Average Rating:5.9/10
Consensus: Hoffman's performance is strong, but the lack of character development and story arc makes Love Liza unsatisfying.
Runtime: 1 hr 33 mins
Genre: Dramas
Synopsis: Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to... Wilson Joel's (Philip Seymour Hoffman) wife, Liza, has committed suicide, leaving behind a note that he can't bear to read. He tries to go about his usual routine, but when his coworkers start to worry about his erratic behavior, they convince him to take a leave of absence to deal with his loss. Liza's mother (Kathy Bates) offers support to Wilson, but when she finds out that he won't open the note, their relationship turns sour. Wilson's life becomes even more tragic when he begins sniffing gasoline as a means to dull his pain, explaining his gas consumption as the result of his interest in model airplanes. A film about grief that provides no easy answers, LOVE LIZA showcases an exceptionally strong lead performance by Hoffman. Wilson's misguided grieving process may be difficult viewing for some, especially during moments which come off as absurdly comic (cued by Jim O'Rourke's superb bossa nova influenced score). But under the direction of first-timer Todd Louiso, this very subtle and deliberately paced work will reward anyone willing to go to the often uncomfortable places it reaches. The strikingly original screenplay by Gordy Hoffman (brother of the film's star) was the winner of the Waldo Salt Screenwriting award at the 2002 Sundance Film Festival. [More]
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh
Starring: Philip Seymour Hoffman, Kathy Bates, Erika Alexander, JD Walsh, Jimmy Raskin, Jack Kehler, Sarah Koskoff
Director: Todd Louiso
Director: Todd Louiso
Screenwriter: Gordy Hoffman
Producer: Ruth Charny, Chris Hanley, Jeff Roda, Fernando Sulichin
Studio: Sony Pictures Classics
Reviews for Love Liza
Love Liza fetishizes grief to the point of abstraction, leaving viewers in an emotional lurch.
Philip Seymour Hoffman is fascinating to watch -- just not so close up!
This isn't an uplifting nor a profoundly memorable film, but it's honorable and honest enough to face a truth that Hollywood movies rarely deliver: that life sometimes deals us injuries from which we never recover.
A movie of literary devices largely stripped of literary projection, Love Liza breathlessly and earnestly angles for, but catches only in small swatches, a sort of transcendent, plebian snapshot of post-analytical grief.
Louiso's intense and droll narrative is still a respectable portrait of cockeyed despair set against the moodiness of a dark, weeping comedy.
More than your basic man-loses-wife, man-huffs-gasoline drama, Love Liza looks at grief in a peculiar way that makes it as winning as such a downer of a movie can reasonably get.
Love Liza doesn't so much dramatize one character's process of mourning as string together arbitrarily strange scenarios that allow a performer to perform.
I don't know if the film has anything to say about grief, loneliness or survival, but it's successful in perfectly conveying a desperate man's fragile state of mind.
Lisa Rinzler's cinematography may be lovely, but Love Liza's tale itself virtually collapses into an inhalant blackout, maintaining consciousness just long enough to achieve callow pretension.
Combined with the truly awful soundtrack, a collection of whiny alternative pop ballads that spell out Wilson's emotional state, this distracting discrepancy undermines what might otherwise be a frank depiction of staggering sorrow.
A journey that's too random and inconclusive to be compelling, but which Hoffman's brilliance almost makes worth taking.
At its best the film has some of the unadorned, incisive strangeness of the minimalist American fiction of the 1980's, but it also shows the limitations of minimalism, and feels, even in its relative brevity, about half an hour too long.
Latest News for Love Liza
June 09, 2005:
Paramount Confirms "Mission: Impossible 3" is a Go
Just a day after dropping their proposed "Watchmen" adaptation, Paramount Pictures announced that "Mission: Impossible 3" will go into production on July... More...
May 06, 2005:
Connelly and P.S. Hoffman to Do a New "Macbeth"
Director Todd Louiso ("Love Liza") has been trying to get his "Macbeth" adaptation off the ground for a while, and it looks like things are finally moving... More...
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