An act of double homage to antique artifice.
Love's Labour's Lost (2000)
Tomatometer
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Reviews Counted:61
Fresh:30
Rotten:31
Average Rating:5.5/10
Consensus: Interesting idea, poor execution.
Runtime: 1 hr 33 mins
Genre: Musical & Performing Arts
Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle
Reviews for Love's Labour's Lost
Branagh has some terrific sight gags up his sleeve, and the songs themselves are absolutely wonderful.
A film of ingenious concepts put into practice with disappointing clumsiness.
We all know who's going to pair off with whom in the end, but Branagh does get us there in some considerable style.
It's a delightful blend of past styles and songs that adds a much-needed zest to a dry and dreary movie season.
It's never hugely engaging and it's instantly forgettable, but it has a certain goofy charm...
The effect is weird but it actually kind of works, illuminating both Shakespeare and the artifice of musicals.
Flaws (most of which are minor) aside, Love's Labour's Lost is an enjoyable trifle.
With all the cutesy-pie self-consciousness on display, the fizz goes off the pink champagne awfully quickly.
A delightful romantic comedy with musical numbers by Cole Porter, Irving Berlin and George Gershwin.
It's so eager to please, so caught up in its own sunny energies, so seductive to look at, that what might be your resistance never gets off the ground -- or wants to.
This is one to remember for this year's award nominations, and should bring a smile to any film lover's face.
Branagh takes one of Shakespeare's lesser-known plays and puts his own imaginative spin on the subject.
Love's Labour's Lost wasn't lost on me at all; if I could float into the air, singing 'Cheek to Cheek' with total, unabashed sincerity, I probably would.
Unfortunately, Branagh's well-meaning but mechanical execution makes falling in love seem like an uncommonly laborious task.
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