A film of ingenious concepts put into practice with disappointing clumsiness.
Love's Labour's Lost (2000)
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Reviews Counted:61
Fresh:30
Rotten:31
Average Rating:5.5/10
Consensus: Interesting idea, poor execution.
Runtime: 1 hr 33 mins
Genre: Musical & Performing Arts
Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle
Reviews for Love's Labour's Lost
We all know who's going to pair off with whom in the end, but Branagh does get us there in some considerable style.
Branagh has some terrific sight gags up his sleeve, and the songs themselves are absolutely wonderful.
It's all light and frothy and harmless, but, for some, cotton candy won't substitute for the denser, more dangerous joys of chocolate fudge.
Alicia Silverstone was better as Batgirl than in this piece of garbage. I don't think she even understood what she was saying.
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Though the tunes of Gershwin, Porter, Kern and Berlin on display here are great too, their mere presence can't overcome the problems of adaptation, casting and direction that mar the picture.
Love's Labour's Lost hops, bumps and skids along the ground like the flightless creature that it is.
Taken as a whole, the movie seems to be searching for a harmony it never really achieves.
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