Might have worked a little better on stage, and with a few different actors.
Love's Labour's Lost (2000)
Tomatometer
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Reviews Counted:61
Fresh:30
Rotten:31
Average Rating:5.5/10
Consensus: Interesting idea, poor execution.
Runtime: 1 hr 33 mins
Genre: Musical & Performing Arts
Synopsis: Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro... Kenneth Branagh's musical adaptation of Shakespeare's comedy sets the action in the last few days before the start of World War II. In the fictional kingdom of Navarre, King Ferdinand (Alessandro Nivola) and three chums take vow to study rigorously and avoid women for three years. Their vow is immediately tested with the surprise visit of the Princess of France (Alicia Silverstone) with three ladies-in-waiting. Romantic merriment ensues as each of the men fall in love and attempt to woo the ladies without being caught. Branagh's film features musical numbers by Cole Porter, Irving Berlin, and others performed in the classic style of 1930s MGM musicals. [More]
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola
Starring: Kenneth Branagh, Alicia Silverstone, Natascha McElhone, Alessandro Nivola, Nathan Lane, Matthew Lillard, Adrian Lester, Richard Briers, Timothy Spall, Geraldine McEwan, Carmen Ejogo, Emily Mortimer, Stefania Rocca
Director: Kenneth Branagh
Director: Kenneth Branagh
Screenwriter: Kenneth Branagh
Story: William Shakespeare
Producer: Kenneth Branagh, David Barron
Composer: Patrick Doyle
Reviews for Love's Labour's Lost
Making a glitzy, old-school 1930's movie musical out of the Bard's silliest work is exactly the kind of thing that a studio wouldn't do in a million years...
If you suspend disbelief and just go with the weirded out flow of things, it's a bit like, well, Shakespeare on acid.
Even though Love's Labour's Lost is, in showbiz terms, a turkey stuffed with chestnuts, you wouldn't trade it for a pot of gold.
It's all light and frothy and harmless, but, for some, cotton candy won't substitute for the denser, more dangerous joys of chocolate fudge.
This film is colorful and flighty and insubstantial and sentimental, and exults in it.
Maybe Kenneth Branagh should have left the Hollywood musical where he found it, back in the 1930s.
Both a paean to lyric poetry and Hollywood’s fondly remembered theatrically-set musical burlesques, LLL is quite audacious for its bubbly lightheadedness.
Though the tunes of Gershwin, Porter, Kern and Berlin on display here are great too, their mere presence can't overcome the problems of adaptation, casting and direction that mar the picture.
Love's Labour's Lost hops, bumps and skids along the ground like the flightless creature that it is.
Taken as a whole, the movie seems to be searching for a harmony it never really achieves.
The goofy side characters are the most unfortunate segment on screen.
A double travesty -- a triple one, actually, if you consider the quality of the singing and dancing.
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