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Lucia, Lucia (2003)
Runtime: 1 hr 49 mins
Synopsis: Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of intrigue when her husband mysteriously disappears. Coming to her aid are two neighbors in her Mexico... Mexican director Antonio Serrano fuses comedy and suspense in this tall tale of children's book author Lucia (Celia Roth, of ALL ABOUT MY MOTHER fame), who becomes the center of a a big mess of intrigue when her husband mysteriously disappears. Coming to her aid are two neighbors in her Mexico City apartment building: Felix (Carlos Álvarez-Novoa), an old man who used to fight alongside Castro, and handsome young Adrian (Kuno Becker) who may be working for the terrorists who kidnapped her husband (if in fact they did). After lots of suspense and snooping, the three become close friends and decide to take an Y TU MAMA TAMBIEN-style trip into the desert. Adrian and Lucia fall in love, though their age difference is a cause for concern. Of course nothing turns out to be as it seems, even Lucia (in her offscreen narration) admits she is not always truthful; outcomes of events are changed--as is her character's hair color and apartment layout--several times over the course of the film. LUCIA, LUCIA broke opening weekend box office records when it premiered in Mexico, where it's known as LA HIJA DEL CANIBAL (the Cannibal's Daughter). Boasting passionate performances from its three actors, this is a very colorful and bouncy entry in the new Mexican cinema. [More]
Genre: Foreign Films
Starring: Cecilia Roth, Kuno Becker, Carlos Alvarez-Novoa
Producer: Matthias Ehrenberg, Christian Valdelievre, Epigmenio Ibarra
Composer: Nacho Mastretta
Reviews
...if a director isn’t willing to commit to his own movie, then why pray tell should we?
A playful, though not strikingly original, engagement of the unreliable narrator, and a fluffy study of the contrast between wish-fulfilling fiction and cold, hard reality.
It's the old midlife crisis tale, just without a lot of charm or surprises.
Lucía reveals a great deal about herself in 110 minutes of self-fulfilling narration, but imagine how much better the experience would have been had the story allowed itself to match that depth.
Roth, as the writer-narrator and sexy center of the piece, simply shines.
It's being touted as the latest chapter in the new wave of Mexican cinema, but comparing the meandering Lucia, Lucia to a milestone like Amores Perros is just plain loco.
I love a good story, too, but I prefer one that actually goes somewhere (although, as joy rides to nowhere are concerned, this one is a beaut).
More interested in getting to the next plot turn than in telling a coherent and compelling story.
Lucia Lucia is well acted and creatively shot, but the problem is that at its core lies a mystery that isn't terribly interesting.
Serrano's frequently mystifying device of having Lucía's cardboard psyche mess with the audience's minds is ultimately a confusing bore.
The picture aims to be cheeky and interesting. But more often it's annoying.
It's a nifty little premise that becomes even more engaging because of the movie's ability to look at ordinary events through extraordinary eyes.
The film is enjoyable in the manner of a high-gloss soap opera, but its forays into socio-political commentary are as laboured as its unnecessarily labyrinthine construction.
If you analyze it logically, 'Lucia, Lucia' doesn't make much sense, but if you buy into its zany obfuscation, it can be fun.
Who knows when the movie will take a trip down Mulholland Drive?
The ways and reasons we make fiction -- including the fiction of a happy marriage -- are the playful but resonant notions that keep the story afloat.
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