In the end, Lucky Number Slevin is like that guy you knew in high school who seemed cool and interesting until he opened his mouth.
Lucky # Slevin (2006)
Tomatometer
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
Reviews for Lucky # Slevin
... those of us who take our cup of comedy black, with no sugar, will savor it.
Time thinking "Slevin" must have been some kind of typo: 110 minutes.
There are a few genuine surprises, but not enough to cover over the fact that the biggest reveal of all was plainly obvious in the first 10 minutes.
...one can't help but wonder if the movie would've worked better had some of the twists been revealed at the outset...
Lucky Number Slevin starts off as entertaining original but comes up empty at the end.
It's the hipster you try to ignore at the party, knowing he's got one good story but will keep talking until you agree he's cooler and smarter than you.
Everything in it -- every confusion, every line of unspeakable dialogue, every red herring, every camera setup -- has been borrowed from some movie you’ve seen before.
Just when you are ready to dismiss the flick as a blood-soaked semi-black comedy that isn’t funny enough, the plot takes a fascinating twist that ups the ante considerably.
Screenwriting 101 professors likely would hand Lucky Number Slevin back to scripter Jason Smilovic with the helpful critique "Too much Tarantino" scribbled in red ink across the top of the cover sheet.
A thriller with as many twists and turns as a mountain roadway but occasional low clouds that obscure the journey.
Competently made, but we've seen it before and the message is morally muddy
They say it's better to be lucky than good, but this nickel-and-dime Quentin Tarantino imitation is neither.
Here's a decent "whodunit"-type of gritty, grownups-only flick that those who enjoy the likes of "Sin City" and "Kiss Kiss Bang Bang" won't want to miss.
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April 07, 2006:
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