For all its game invention, is less Pulp Fiction than an Elmore Leonard knockoff crossed with Deathtrap: a thriller that holds less interest -- and less water -- the more it reveals about what's actually going on.
Lucky # Slevin (2006)
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Reviews Counted:151
Fresh:78
Rotten:73
Average Rating:5.9/10
Consensus: Trying too hard to be clever in a Pulp Fiction kind of way, this film succums to a convoluted plot, overly stylized characters and dizzying set design.
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in... Directed by Paul McGuigan, LUCKY NUMBER SLEVIN is a mistaken identity thriller starring Josh Hartnett as a guy who ends up in the wrong place at the wrong time. With boldly colored sets covered in graphic wallpaper, the film has an almost comicbook-like feel, the emphasis being on visual entertainment rather than believability. When Slevin (Hartnett) shows up at his friend Nick's apartment in Manhattan, Nick is nowhere to be found. After meeting Nick's sharp and flirty neighbor, Lindsey (Lucy Liu), Slevin is kidnapped by two thugs and taken to meet the Boss (Morgan Freeman). Explaining that he is not Nick gets him nowhere, as the Boss and his arch rival, the Rabbi (Ben Kingsley), both pull Slevin (a wiseguy who spends much of the film in a lavender towel) deeper and deeper into a complicated underworld of murder and revenge. The clever dialogue and romance that grows between Hartnett and Liu gives the film a lighthearted charm. Even when orchestrating cold-blooded murder, the film's lead villains never seem too threatening. This is due in large part to the strong tongue-in-cheek performances of Bruce Willis, Ben Kingsley, and Morgan Freeman. Many of the film's plot twists rely on camera tricks and quick editing, which are used to deliberately confuse the viewer. While the storyline is convoluted and the film falls into a self-explanatory trap near the end, the world of LUCKY NUMBER SLEVIN is never meant to be taken too seriously. Displaying a Tarantino-like self-awareness, the film makes frequent references to James Bond and vintage cinema, and contains such strong visual elements that viewers are forced to notice each character's surroundings. The film is incredibly stylish and old-fashioned in this way, with particular attention paid to each villain's dwelling, and with the production design often saying more than the characters themselves. [More]
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu
Starring: Josh Hartnett, Morgan Freeman, Ben Kingsley, Lucy Liu, Bruce Willis, Oliver Davis, Stanley Tucci, Michael Rubenfeld, Sam Jaeger, Dorian Missick, Kevin Chamberlin
Director: Paul McGuigan
Director: Paul McGuigan
Screenwriter: Jason Smilovic
Producer: Kia Jam
Composer: Joshua Ralph
Studio: Weinstein Company
Reviews for Lucky # Slevin
Slick and stylized, it's a convoluted crime plot that's stretched to pretentious extremes.
...a funky crime picture loaded with slick dialogue, lots of bloody killings and a slew of oddly named characters...
As twisty thrillers of the genre go, this one is more than passable. Overanalyzation can spoil the fun -- this is the kind of movie with which it's best to go with the flow.
I keep seeing films in which A-grade actors fill not just the top slots but some of the lesser roles, too, only to find themselves squashed by a script, or by a weight of contrivance, that would be lucky to bring home a C-plus.
Josh Hartnett ("Sin City") indulges in a snappy tongue-in-cheek puzzle of a thriller that's akin to eating ten flavors of ice cream at once.
A crime puzzle that pulls the wool over your eyes with cast talent and a peppy style you'll love... if you don't mind a slashed carotid or two.
The convoluted ain't-I-clever script by Jason Smilovic has a cheat ending that makes you want to do a little torturing yourself.
Long delay before the film starts to roll. And, though clever, no one delivers in the acting department with any depth (aside from Ben).
Reveals a screenwriter who can write snappy one-liners and fill conversations with pop-culture references, but has yet to master story structure.
The flick is made from good parts, but doesn't feel as light on its feet as it should.
No matter how badly the movie cons you, you must admit that the film is stylish as hell with sharp dialogue, a tongue-in-cheek plot and visual and editing razzle-dazzle.
This mistaken-identity thriller delights in narrative complication and Tarantino-esque self-awareness; it's when the labyrinthine plot starts to make sense, ironically, that the pervasive shallowness becomes a liability.
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