Powerhouse performance from Orson Welles as the troubled Prince.
Macbeth (Restored Version) (1948)
Runtime: 1 hr 52 mins
Synopsis: A dark, moody screen version of the classic tragedy about a presumptuous Scottish prince's quest for power through patricide--in keeping with both the play's spirit and Welles' vision. As with his other masterpieces, Welles effectively mixes the use of shadow and oblique camera angles to... A dark, moody screen version of the classic tragedy about a presumptuous Scottish prince's quest for power through patricide--in keeping with both the play's spirit and Welles' vision. As with his other masterpieces, Welles effectively mixes the use of shadow and oblique camera angles to achieve the ominous sense of a land in peril. Originally cut to 89 minutes for theatrical release, the film has been restored to its full 105 minutes, with dialogue redubbed by Welles and the other actors to cut down on the Scottish accents. Nominated for an award in the 1948 Venice Film Festival. [More]
Genre: Dramas
Starring: Orson Welles, Jeanette Nolan, Dan O'Herlihy, Edgar Barrier, Roddy McDowall
Producer: Orson Welles
Screenwriter: Orson Welles
Story: William Shakespeare
Composer: Jacques Ibert
Reviews
Adventurous film-making that takes risks, and full of imaginative flourishes.
Welles's bulky presence makes the ambitious egomaniac all too credible, but lack of time gives a constricted air with no sense of a world outside.
Only a few of the Bard's best lines are audible. The rest are lost in strained, dialectic gibbering that is only sound, not prose.
One of the director's most personal creations, it's a courageous experiment with a craggy barbaric splendor all its own.
The movie is so fragmented that no real interpretation of the play ever coagulates. As with all of Welles' films, however, there are a number of memorable moments.
The film has a jagged, noir-ish aspect that makes it a powerhouse.
There is force in this rough, hasty rendering; the sheer speed of the pacing gives it a quality of crushing delirium.
A triumph of cinematic imagination over the limited resources of the parsimonious Republic Pictures Studio, which originally butchered the film and released it with a poor soundtrack.
Welles at his maverick top, utilizing a small studio such as Republic to create a masterpiece.
This film, recently restored to Welles' original, full-length version, is well worth seeing.

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