A week is a long time in cinema. Last Friday saw Branagh being all but written off thanks to the ludicrous Sleuth. This week, he's hitting the high notes.
The Magic Flute (2006)
Rated: PG
Theatrical Release: 30-11-2007
Reviews
His flamboyant rendering of the Mozart opera isn't as smug and stagey as Sleuth, but it is insufferable – and 40 minutes longer.
Set on the battlefields of the Great War – very high-concept – it will drive many Mozart traditionalists to distraction.
Set on the battlefields of the Great War – very high-concept – it will drive many Mozart traditionalists to distraction.
With James Conlon conducting, this Flute is perfectly in tune - so it's a shame Branagh keeps dropping it in the mud.
The film is fresh, spectacular and unafraid to be called philistine.
A genial and good-natured production with much spectacle and entertainment to offer, and, like all of Branagh's classical revivals on celluloid, it manages to be high-minded and yet accessible.
Despite the talent involved – Branagh is joined by Stephen Fry, who has written a new libretto – and the ambitious staging, this flute blows all right, but it’s short on the magic.
Flashes of inspiration but not enough, one suspects, to cause a stampeding horde of cinemagoers to beat down the doors of the Royal Opera House.
It's an impressive undertaking by Branagh but a rather pointless one.
A huge budget allows for spectacular CGI sequences and Branagh concocts some startlingly inspired ways to accompany Mozart's music in visuals.
Branagh’s imagery is imaginative and the music lifts you. A neat trick.
Apart from a fascination with the hate-spitting mouth and throat of Lyubov Petrova’s vocally pyrotechnic Queen of the Night, the visual gimmicks are individually tolerable. But they don’t add up to anything particular.
Although Branagh has done a good job of toning down the opera’s more ridiculous elements, what remains will test even the most willing opera virgin.
Kenneth Branagh's adaptation of Mozart's opera The Magic Flute comes on strong %u2013 maybe too strong...
Opera buffs shouldn't throw away their DVDs of Ingmar Bergman's 1975 TV movie.
Even though there were moments in The Magic Flute when I wondered if Branagh hadn't truly gone off his rocker, I found its audacity exhilarating.
Miles away from the cute theatrical film adaptation of Ingmar Bergman, though bigger in this case is not necessarily better.
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by: DavidJCutts 11/26/07


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