Not good, not bad, just deeply, depressingly average.
The Man (2005)
Tomatometer
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Reviews Counted:98
Fresh:11
Rotten:87
Average Rating:3.3/10
Consensus: Despite the steely presence of Samuel L. Jackson and the comic timing of Eugene Levy, The Man's plot is pointless and its jokes rehashed, as it ends up playing out like the Odd Couple with gas.
Runtime: 84 mins
Genre: Comedies
Synopsis: Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery... Mismatching the two principal characters in a movie has become a comedy staple in Hollywood, and the tradition continues in director Les Mayfield's THE MAN. Andy Fidler (Eugene Levy) has a cheery outlook on life. Even a less than exciting job selling dental products can't wipe the smile from his face. But when he winds up in Detroit for a dental convention and is wrongly identified as an arms dealer, his smile is in danger of disappearing for good. Tough-as-nails cop Derrick Vann (Samuel L. Jackson) has set up an operation to catch the gang who run with the villain Fidler has been mistaken for. Eager to find him after the group of gun runners put a permanent end to his partner's career, Vann concocts a screwball scheme in which Fidler will impersonate the crook he resembles, while also trying to shake the Internal Affairs agents who are closely trailing him. Sam Jackson steals THE MAN from under Levy's nose, with some impressive, snappy dialogue reminiscent of his role as Jules Winnfield in PULP FICTION. Driven to the brink of insanity by the inane banter spewing from Levy's mouth, and a flatulence problem at the other end, Jackson fits into the role like a true pro. The film benefits from an elementary plot that simply allows the laughs to come thick and fast, and evolves only to allow Jackson to display further exasperation at his oblivious partner's behavior. A cut above the gross-out comedies it will undoubtedly be compared to, THE MAN is a deliciously silly film that benefits from some strong performances. [More]
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss
Starring: Samuel L. Jackson, Eugene Levy, Miguel Ferrer, Luke Goss, Anthony Mackie, Susie Essman, Horatio Sanz, Rachael Crawford
Director: Les Mayfield
Director: Les Mayfield
Screenwriter: Jim Piddock, Steve Carpenter, Margaret Oberman
Producer: Rob Fried
Composer: John Murphy
Studio: New Line Cinema
Reviews for The Man
As I was watching the movie, something strange happened... I started laughing.
The often-funny chemistry between Jackson and Levy makes it worth a look, but you’d probably be happier paying to see it on video.
As a comedy, The Man resembles a photo negative of Midnight Run, opposite in every possible way.
Characters are pretty much composites of their previous roles. Think Jackson's Pulp Fiction Jules getting all Ezekiel 25:17 on Levy's American Pie dad.
It’s not dreadful, but the movie is executed with total indifference, as if its creators are working from a checklist.
The problem with "The Man" is that because it's so generic, so safe, so absolutely bland, it courts inertia and thus it becomes inert.
A graven image of 48 Hours and Midnight Run; though it draws near to them with its lips, its heart is far from them.
The inescapable fact about The Man is that this movie is completely unnecessary.
As long as airlines need sub-par comedies, The Man will have a home flying the friendly skies. On the ground, it goes nowhere.
Eugene Levy gets his first costarring role playing a dental salesman, which is ironic since the film has no teeth - also no brain or heart.
Forgettable, flaccid, and contrived though it may be, The Man does a nice job of simulating what might be considered an enjoyable film. Blame Samuel L. Jackson.
“The Man’s” nebulous title indicates the sloppy nature of an “action comedy” movie that emits painfully little of either genre enticement.
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