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The Man from Elysian Fields (2002)
Tomatometer
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Reviews Counted:70
Fresh:36
Rotten:34
Average Rating:5.9/10
Consensus: This story about a gigolo isn't plausible or compelling enough.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis:
THE MAN FROM ELYSIAN FIELDS is a daring and stylish morality tale featuring seductive star turns and brilliant, biting dialogue. Andy Garcia plays Byron Tiller, an impoverished writer who becomes...
THE MAN FROM ELYSIAN FIELDS is a daring and stylish morality tale featuring seductive star turns and brilliant, biting dialogue. Andy Garcia plays Byron Tiller, an impoverished writer who becomes a reluctant gigolo to support his wife and son. He soon finds himself face to face with an extremely attractive woman whose aging husband is a Pulitzer Prize winning novelist grappling with a novel that may be his last. Before long, Byron finds himself immersed in a world that he finds almost impossible to believe and even harder to explain. The film is anchored by a series of elegant performances: Garcia as the bemused and befuddled writer whose life takes a surprising turn; James Coburn as the spirited white-haired author struggling with his mortality; Olivia Williams as his beautiful, devoted partner; Julianna Marguiles as Byron’s long-suffering wife; and Anjelica Huston as Luther’s longtime wealthy paramour. But it is Mick Jagger as the proprietor of an elite male escort service, who, with line after line of dry, straight-faced wit, adds an invigorating comedic edge to the film’s dramatic storyline.
THE MAN FROM ELYSIAN FIELDS was produced by Donald Zuckerman, Andrew Pfeffer and Andy Garcia. Gold Circle Films founder and owner Norm Waitt was the Executive Producer. George Hickenlooper directed the film from a screenplay by Philip Jayson Lasker. -- © Samuel Goldwyn Films/Fireworks Pictures
Starring: Andy Garcia, Mick Jagger, Julianna Margulies, Olivia Williams
Starring: Andy Garcia, Mick Jagger, Julianna Margulies, Olivia Williams, James Coburn, Anjelica Huston
Director: George Hickenlooper
Director: George Hickenlooper
Screenwriter: Philip Jayson Lasker
Producer: Donald Zuckerman, Andrew Pfeffer, Andy Garcia
Composer: Anthony Marinelli
Studio: IDP Distribution
Reviews for The Man from Elysian Fields
The weirdest thing about The Man from Elysian Fields is that the actors... manage to overcome the bad writing with solid performances.
Every scene is contrived to advance the film toward its predetermined end, and the characters consistently act the way people never do in real situations. Even so, the movie is relatively fun to watch, thanks mostly to the cast.
Full of glib pretensions ... and under the mistaken impression that self-pity is attractive and philandering says nothing about the philanderer.
Too many improbabilities and rose-colored situations temper what could've been an impacting film.
Hickenlooper seems unsure what he wants his film to be. Is it a mid-life crisis film? Is it a marriage-in-trouble film? Or is it really classy neo-porn lite?
A deft morality play about a self-destructive writer who is transformed after a disastrous fall that affects his career and his marriage.
Everything about the production is tasteful and carefully modulated -- but there's no spunk here.
If you can look past the leaps in logic and take it in as a morality tale about the consequences of unprincipled affections, then Elysian Fields can offer its share of blissful moments.
I would have enjoyed Elysian more if the filmmakers had tried to ease off the dramatic fireworks and just let the characters and their dilemmas naturally progress.
The movie has an interesting premise with some nice twists and turns, character studies, and an appealing edginess.
What really sneaks up is how involved one gets into these characters and their complicated relationships.
A rare comedy of manners, witty, wicked and worldly, and one of the best movies of the year.
Offers a terrific role for Garcia, as a desperate man who keeps erasing and redrawing the boundaries of his conscience.
Smart and full of sharply drawn characters and wonderfully snappy dialogue.
The real crime in Elysian Fields is that it completely misses more compelling stories.
It's a listless, predictable effort, occasionally redeemed by witty lines and charismatic performers.
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