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Man in the Gray Flannel Suit (1956)
Tomatometer
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Reviews Counted:6
Fresh:5
Rotten:1
Average Rating:5.9/10
Runtime: 2 hrs 33 mins
Genre: Dramas
Synopsis: Based on the novel by Sloan Wilson, director and screenwriter Nunnally Johnson's (THE THREE FACES OF EVE) multilayered drama stars Gregory Peck as a man struggling to realize the American Dream... Based on the novel by Sloan Wilson, director and screenwriter Nunnally Johnson's (THE THREE FACES OF EVE) multilayered drama stars Gregory Peck as a man struggling to realize the American Dream without sacrificing his family and his soul. Tom Rath seems a typical, solid business- and family man, but he suffers from posttraumatic stress disorder. Inconsequential sights--such as the fur collar on a fellow commuter's coat--prompt flashbacks to his days as a captain in WWII. Rath is also beset by demands from his ambitious wife, Betsey (Jennifer Jones), who hates their ugly house and is ashamed of how Tom has lost his nerve since the war. To appease her, he takes a higher-paying PR job at media conglomerate United Broadcasting. Rath then has to learn the spin-doctor ways of Madison Avenue and risks becoming a yes man to powerful UBC president Ralph Hopkins (Fredric March). Meanwhile, problems at home escalate with a dispute over his grandmother's will and a haunting reminder of his wartime liaison with a beautiful Italian girl, Maria (Marisa Pavan). Peck gives a strong, touching performance as a man fighting to overcome his past and to secure his family's future. [More]
Starring: Gregory Peck, Marisa Pavan, Ann Harding, Lee J. Cobb
Starring: Gregory Peck, Marisa Pavan, Ann Harding, Lee J. Cobb, Keenan Wynn, Jennifer Jones, Fredric March, Gene Lockhart, Gigi Perreau, Arthur O'Connell, Henry Daniell, Connie Gilchrist
Director: Nunnally Johnson
Director: Nunnally Johnson
Composer: Bernard Herrmann
Producer: Darryl F. Zanuck
Screenwriter: Nunnally Johnson
Story: Sloan Wilson
Reviews for Man in the Gray Flannel Suit
But the film is so reductive, so often substitutes subtlety with theatrical gravitas, and so transparently stacks the deck in favor of a preordained outcome that it threatens to become a buttoned-down Reefer Madness for the corner-office set.
far more valuable as documentation of very particular time and place in American society than it is as drama
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