Leconte directs with style and colour, drawing us in with humour and a spark of suspense.
Man on the Train (2003)
Tomatometer
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Reviews Counted:109
Fresh:100
Rotten:9
Average Rating:7.5/10
Consensus: A lovely, contemplative character study with two wonderful performances at its center.
Runtime: 90 mins
Genre: Dramas
Synopsis: In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a... In a sleepy French backwater, a train pulls into a deserted station, depositing a lone passenger: a grizzled man in a fringed leather jacket. He looks like a criminal, albeit an aging criminal, a man who has never before asked questions of life or made deep connections with anybody, arriving for a final showdown, and he is. But, within minutes, he bumps into a local retired poetry teacher in dapper clothes, a man who looks like someone waiting for something exciting to happen, who appears perfectly settled in his life, and he was.until now. Suddenly, these two disparate men are about to find, at the very end of the line, an unexpected friendship, an opportunity to look back on their dashed hopes, and a magical, momentary chance to explore the road not taken. Patrice Leconte's award-winning Man on the Train is a simple, humor-filled tale that resonates with deeper themes of friendship and fate, of longing and regret and most of all, of the passage of time and the choices we make. It is the story of two men who might never have met but for an accident, who appear to have nothing in common, yet who change each other's view of life at the last possible moment. When the criminal Milan (French rock icon Johnny Hallyday) rolls into town planning to knock off the local bank on Saturday, he assumes it will go off without a hitch. Then he encounters Manesquier (leading French actor Jean Rochefort). A retired poetry teacher whose sedentary lifestyle bores even himself, Manesquier offers Milan a much-needed drink of water in his musty old chateau. The only thing they seem to share is that Manesquier, too, has an important date on Saturday; but his is for open-heart surgery. From the start, the two men are equally wary of the other. Manesquier senses that Milan is up to no good, while Milan is driven crazy by Manesquier's incessant talking. But, when Milan is forced to hole up in Manesquier's mansion until the robbery, the distance between them begins to disappear. Suddenly, Manesquier wonders what it would be like to trade his books and art for Milan's gun and life of adventure. Meanwhile, Milan covets Manesquier's bedroom slippers and cozy life of stability. As their friendship develops, surprising moments of humor and tenderness emerge, as each seemingly defies his personality to explore his yearning for the life of the other. Saturday arrives. Milan and Manesquier have no choice but to part ways and head towards their different destinies. But even their destinies are no longer the same, for their very dreams have become intertwined. [More]
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier
Starring: Jean Rochefort, Johnny Hallyday, Jean-Francois Stevenin, Pascal Parmentier, Isabelle Petit-Jacques, Edith Scob
Director: Patrice Leconte
Director: Patrice Leconte
Screenwriter: Claude Klotz
Producer: Philippe Carcassonne
Studio: Paramount Classics
Reviews for Man on the Train
Witty and wistful, often tragic and tense, this is an impeccable example of the value of small-scale cinema.
This is an actor's picture, with Hallyday's craggy menace chiming perfectly with Rochefort's rueful charm.
Bleak, blue lighting and washed out colours emphasise the wintriness of the tale; but there isn't nearly enough dramatic conflict to sustain this to feature length.
The contrast between old-fogeyish Manesquier and dangerous 'man with no name' Milan, between loquacious, actorly Rochefort and silent 'natural' Hallyday, is initially droll, although it wears thin after a while.
Laconte's direction is calculative all the way, but his telling fails to register very much
A boldly conceived, impeccably crafted and wonderfully enigmatic two-character study that turns out to be a most powerful showcase for its two stars.
Might not be the manliest way to make a buddy movie, but it makes for a great movie about being a man.
Your typical buddy film that's been executed in an entirely atypical way.
The film ultimately seems more like an idea than a complete story, bereft of any narrative spine on which to hang the ideas.
Watching Hallyday's Lee Van Cleef-esque mien, one longs for the return of the Spaghetti Western...
It's nice to see a film about the regrets of old age that doesn't resort to Grumpy Old Men-style humor or cheap action sequences.
We come to like these two men and look forward to their interaction with a quiet anticipation.
The movie's slow pace and gentle humor pay off in a pounding cross-cutting between the heist and the surgery, as well as a transcendent ending that is as rewarding as it is ambiguous.
The Man on the Train is a marvelously acted French film about two men past their prime who cross each other's paths and yearn for something completely different in their lives.
Latest News for Man on the Train
April 23, 2008:
LeConte's Man on the Train Learning to Speak English ![]()
Miramax is prepping an English remake of Patrice LeConte's Man on the Train, with Thomas Bezucha in talks to direct. More...
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