Interviewed today, Petit is a whale of a storyteller, and he recalls with relish the chilling details of that amazing day.
Man On Wire (2008)
Tomatometer
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Reviews Counted:141
Fresh:141
Rotten:0
Average Rating:8.4/10
Consensus: James Marsh's doc about artist Phililppe Petit's artful caper brings you every ounce of suspense that can be wrung from a man on a (suspended) wire.
Rated: 12A [See Full Rating] for some sexuality and nudity, and drug references.
Runtime: 1 hr 34 mins
Genre: Musical & Performing Arts
Theatrical Release:01-08-2008
Synopsis: James Marsh's dazzling, invigorating documentary MAN ON WIRE tells the story of a truly inspiring figure. In the early 1970s, a fiery young Frenchman named Philippe Petit wanted to shake up the... James Marsh's dazzling, invigorating documentary MAN ON WIRE tells the story of a truly inspiring figure. In the early 1970s, a fiery young Frenchman named Philippe Petit wanted to shake up the world. When he saw the World Trade Center being built in New York City, he found his mission. Petit was a trained high wire walker, and his goal was to set up a wire between the two towers and give the world a show it could never have expected. As is often the case with these endeavors, the actual high-wire walking was the easiest part of the plan. For nearly seven years, Petit worked on the project, recruiting associates who supported him every step of the way. Finally, after eight months in New York, the day came when Petit and his cronies jumped into action. This wasn't easy. They had to find a way to sneak past security and make their way to the top of the towers with heavy equipment, at which point they had to battle the elements to install the wire. After many close scares, the time came for Petit to realize his dream--and the rest, as they say, is history. Marsh crafts MAN ON WIRE like a heist film, presenting rare and fascinating footage of the actual event alongside flawless reenactments and modern-day interviews with the participants. The result is an immersive, emotionally gratifying motion picture, made all the more stimulating by Michael Nyman's electrifying score. [More]
Director: James Marsh
Director: James Marsh
Producer: Simon Chinn
Composer: Michael Nyman
Studio: Magnolia Pictures
Reviews for Man On Wire
Man On Wire's cinematic tension that in the wire Philippe Petit balanced on as he walked between the Twin Towers in the history-making high wire stunt shown in this compelling documentary. The film's also a poignant memorial to the hallowed Twin To
Not only a fun heist movie but also a moving tale of spiritual uplift and beauty.
The details of how the event was planned and staged are fascinating, but a crucial element missing from the film is good cinematography of the actual event.
A feat like the one Philippe Petit pulled off deserves to be documented.
I would have found it easier to get emotionally invested in Le Coup (rather than abstractly awed) if I had a better sense of his coup de foudre.
Man on Wire is absolutely breathtaking, a documentary as life-affirming as it is artistically intoxicating.
Present-day interviews and modern re-enactments provide the piece with its structure, but it's the awe-inspiring archival footage that makes this a giddy watch.
It's a great deal of fun, playing not unlike a crafty caper film with loads of spine-tingling suspense.
In this exhilarating, palm-moistening documentary by British filmmaker James Marsh (Wisconsin Death Trip), the twin towers are back to celebrate one of their finest moments.
Though we know how it ends, it unfolds with suspense. And though it lacks any discussion of the towers' destruction, it succeeds as a tribute to their birth.
The erasure of the towers adds poignance and irony to a documented event that is inherently thrilling and beautiful.
It's a story worth telling, yes -- but after 90 minutes, it's hard not to wonder if the storyteller can talk about anything else.
By any rational gauge, Petit's WTC obsession was flat-out crazy, but Marsh takes a limpid, nonjudgmental view of it all.
James Marsh's documentary is the story of the dreaming and scheming that went into the walk, which I hesitate to call a stunt. It seems too glib a word for a feat that inspired the poignant complex of emotions uncovered by Marsh's narrative.
This is a fascinating account of a moment from history that will never be repeated.
Director James Marsh assembles this material into an offbeat but often unbearably exciting heist movie -- a white-knuckle ride of a thriller that can stand up against such classics of the genre as Rififi, Topkapi and Robbery.
Marsh uses a combination of interviews, film of Petit as a young man, authentic newsreels and enacted reconstructions to produce an unforgettable experience.
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