In this the Coens' sly script is helped no end by Billy Bob Thornton's supremely eloquent performance as the taciturn tonsor, lent terrific support from Frances McDormand as the wife.
The Man Who Wasn't There (2001)
Tomatometer
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Reviews Counted:151
Fresh:121
Rotten:30
Average Rating:7.1/10
Consensus: Stylish but emotionally distant, TMWWT is a clever tribute to the noir genre.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a... The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns. THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy. [More]
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco, Katherine Borowitz, Jon Polito, Scarlett Johansson, Richard Jenkins, Tony Shalhoub, Adam Alexi-Malle, Christopher McDonald
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Studio: USA Films
Reviews for The Man Who Wasn't There
It's impossible to guess what the Coen brothers will come up with next, and little could prepare us for this offbeat 1940s noir drama shot in full period style. But it's a complete and utter triumph.
Slowly paced for a thriller and with a hero many will find off-putting, this is nevertheless a gripping, unusual and challenging work from the most consistently brilliant filmmakers of the last decade.
A unique, peculiar, riveting experience, The Man Who Wasn't There is one of the best films of the year.
A perfectly executed illustration of what is not, quite, great about the Coen brothers, which is a kind of grandstanding, and another kind of weirdly alienating insincerity.
Stunning photography, terrific performances from a note-perfect cast, and a wonderful, dryly-comic script. One of the best films of the year.
The movie itself is a stylish piece of work, shot in black and white with odd, captivating atmosphere and production design; it's kind of a cross between a 1940s film noir and a satire of banal 1950s America.
It's James M. Cain without the prevailing sexual tension and without characters pleasuring themselves in deceit.
Stands as another masterful Coen brothers effort and ranks as one of the best films of 2001.
Like Thornton’s pitch-perfect, carefully modulated performance, it is well-planned and exquisitely executed.
A rural pace and straight-faced delivery provide the greatest possible contrast to the quirky brand of humor a la Coen brothers (of "Fargo" fame)
Once you get the joke and grasp the aesthetic they're after, it's fun, and it almost works on the steam of its clever plot mechanics.
The resulting hodgepodge is a medley of the brothers' favorite verbal and visual tics, making much noise and signifying nothing.
Los Coen siguen demostrando que el cine es mucho más que simples efectismos visuales que no dejan nada para la posteridad.
Nothing else matters here except Thornton's blandly bravura performance ... and the film's rampant, detailed atmosphere.
An unconventional, unpredictable thriller that Hitchcock probably would have enjoyed.
Thornton...has the most subtly expressive, heavily crevassed film noir face to smoke a dangling cigarette since Humphrey Bogart.
Roger Deakins’ artful black-and-white photography beautifully recreate the shadows and starkness of the noir film world, while Carter Burwell’s score adds to the atmosphere.
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