Only the Coen brothers could make a noir thriller as truly odd as The Man Who Wasn't There.
The Man Who Wasn't There (2001)
Tomatometer
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Reviews Counted:151
Fresh:121
Rotten:30
Average Rating:7.1/10
Consensus: Stylish but emotionally distant, TMWWT is a clever tribute to the noir genre.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a... The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns. THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy. [More]
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco, Katherine Borowitz, Jon Polito, Scarlett Johansson, Richard Jenkins, Tony Shalhoub, Adam Alexi-Malle, Christopher McDonald
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Studio: USA Films
Reviews for The Man Who Wasn't There
It's a gem of a movie but, alas, may be appreciated by a less than universal audience.
[Thornton] contributes one of the most engrossing performances of the year.
Nothing else matters here except Thornton's blandly bravura performance ... and the film's rampant, detailed atmosphere.
What follows is never once predictable ... but consistently a wonderfully shadowy marvel.
If the drabness doesn't get you, the deliberately glacial pacing will.
The new film's characters are worthy of inspection, but far less sympathetic than the main players in Raising Arizona, Fargo or O Brother, Where Art Thou?
A significant film, one that again shows the Coen brothers are not afraid of marching to the beat of a different drum.
The movie succeeds brilliantly in establishing memorable characters. It also succeeds in establishing a mood of existential absurdity ...
It's a bit of a mess, the work of bratty geniuses with talent to spare, but unsure of what -- if anything -- they're trying to say.
Like Thornton’s pitch-perfect, carefully modulated performance, it is well-planned and exquisitely executed.
A little slow and listless, but it is a great film to watch and in the end the script is as clever as we would expect from the Coen Brothers.
Joel and Ethan Coen's "The Man Who Wasn't There" remains compelling even though little seems to be happening.
[It] isn't so much a noir movie as a movie deeply in love with noir, a valentine to that seamy world of hard lives, deadly women, and luckless shmoes in trouble…
The film contains sprinklings of the Coens' trademark weirdness, but it's also meticulously controlled, like an elaborate puppet show for adults.
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