A glorious tribute to the splendors of what should rightfully be called the blackish and whitish movie.
The Man Who Wasn't There (2001)
Tomatometer
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Reviews Counted:151
Fresh:121
Rotten:30
Average Rating:7.1/10
Consensus: Stylish but emotionally distant, TMWWT is a clever tribute to the noir genre.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a... The Coen brothers' THE MAN WHO WASN'T THERE is a brilliantly photographed black-and-white absurdist noir set in Santa Rosa, California, in 1949. Ed Crane (the outstanding Billy Bob Thornton) is a slow-moving, barely talking barber who doesn't seem to want much out of life. He has virtually no relationship with his wife, Doris (Frances McDormand), who has more fun with her boss, Big Dave (James Gandolfini). But when a strange character (Jon Polito) lets it be known that he's looking for a silent partner to finance his dream business (something he calls dry cleaning), Ed sees a possible way out of his doldrums. Just like any good James M. Cain novel (which the Coens cited as a major influence on the story), blackmail, deceit, violence, murder, and double crossing ensue, all with the magic Coen twists and turns. THE MAN WHO WASN'T THERE looks simply magnificent; the cinematography, the outfits, and the set designs perfectly capture this intriguing post-WWII paranoid world embodied by misfits, cheats, simpletons, con men, and other ne'er-do-wells. Thornton, who also supplies the wonderfully droll narration, gives a bravura performance as Ed, the everyman who has never strayed from the straight and narrow--until now. Always with a Chesterfield in his mouth, he wanders from scene to scene almost as if he's a spectator--even though he's at the center of everything that goes on. The supporting cast, as usual in a Coen brothers film, is outstanding, including McDormand, Gandolfini, Polito, Tony Shalhoub, Richard Jenkins, and Scarlett Johansson as a young potential piano prodigy. [More]
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco
Starring: Billy Bob Thornton, Frances McDormand, James Gandolfini, Michael Badalucco, Katherine Borowitz, Jon Polito, Scarlett Johansson, Richard Jenkins, Tony Shalhoub, Adam Alexi-Malle, Christopher McDonald
Director: Joel Coen
Director: Joel Coen
Screenwriter: Joel Coen, Ethan Coen
Producer: Ethan Coen
Composer: Carter Burwell
Studio: USA Films
Reviews for The Man Who Wasn't There
Although it features some decent and even fun filmmaking and storytelling ... and a terrific performance by Thornton, the film simply loses focus and gets a bit too bizarre for its own good or the viewer's enjoyment.
The Man Who Wasn't There looks noir, but don't be too sure. The Coen brothers provide the black-and-white. The actors provide the color.
Will leave you knocked upside the head when you realize what the story is and how it is being told to you.
I felt so thoroughly inside this environment I almost didn't need a story.
The Man Who Wasn't There is so assured and perceptive in its style, so loving, so intensely right, that if you can receive on that frequency, the film is like a voluptuous feast.
The Man Who Wasn't There is the visual equivalent of single-malt scotch, smoky and smooth and bracing in its simplicity. At the same time, it's sometimes too clever for its own good. The humour is as much parched as it is dry.
The tale's somewhat slow, but it's so visually engrossing you can almost forgive when the flick ventures down one too many odd side stories.
A terrific movie, suspenseful in a what-could- possibly- happen- next? way.
Once you get the joke and grasp the aesthetic they're after, it's fun, and it almost works on the steam of its clever plot mechanics.
You'll want to see TMWWT for Thornton's amazingly controlled performance as the tragic dope/dupe.
There are goofy flourishes here, the in-jokey, left-field rummies that are the Brothers Coen's stock-in-trade. But this is altogether a quieter, more philosophical sort of endeavor.
The Man Who Wasn't There is all there, artistically speaking, but it never pretends to be a feel-good entertainment.
To call it great fun may be an exaggeration, but there's no reason to stop laughing at the cruel jokes life plays against the Ed Cranes of the world.
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