Impressively accomplished and highly entertaining, with sufficiently smart new twists to keep you guessing all the way to the nerve-wracking climax.
The Manchurian Candidate (2004)
Tomatometer
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Reviews Counted:195
Fresh:159
Rotten:36
Average Rating:7.2/10
Consensus: While not the classic its predecessor is, this update is well-acted and conjures a chilling resonance.
Theatrical Release:19-11-2004
Synopsis: Jonathan Demme updates the original 1962 John Frankenheimer classic with plenty of new paranoid twists: This time a sinister Halliburton-style corporation is behind the brainwashing of a Gulf War... Jonathan Demme updates the original 1962 John Frankenheimer classic with plenty of new paranoid twists: This time a sinister Halliburton-style corporation is behind the brainwashing of a Gulf War hero turned vice presidential nominee, Raymond Shaw (Liev Schreiber). Shaw's old unit commander Ben Marco (Denzel Washington) recommended him for the National Medal of Honor, though he can't remember exactly why, and his recurring nightmares drive him to uncover a massive conspiracy. Sinister forces at work include shifty-eyed bodyguards, a love interest with questionable motives (Kimberly Elise), and Raymond's domineering senator mother (Meryl Streep). Demme infuses the proceedings with enough paranoia and uncomfortable close-ups to rival his 1991 Oscar-winner, SILENCE OF THE LAMBS. Layered sound, overlapping dialogue, and creepy cinematography by Tak Fujimoto (who also worked on LAMBS) further heighten the uneasiness. Demme regulars Roger Corman, Charles Napier, Paul Lazar, and Tracey Walter show up in bit parts as usual. Comedian Al Franken is a welcome face as a TV correspondent, and quirky indie rocker Robyn Hitchcock plays one of the brainwashing specialists. Needless to say, Denzel is superb. Streep is terrifying and hilarious as the maniacal Mrs. Shaw. As with the original (which focused on communist instead of terrorist fear-mongering), the events depicted here are doubly unsettling considering their uncanny resemblance to real-life politics at the time of this film's theatrical release. [More]
Starring: Liev Schreiber, Meryl Streep, Denzel Washington, Jon Voight
Starring: Liev Schreiber, Meryl Streep, Denzel Washington, Jon Voight, Kimberly Elise, Jeffrey Wright, Ted Levine
Director: Jonathan Demme
Director: Jonathan Demme
Screenwriter: George Axelrod, Daniel Pyne, Dean Georgaris
Producer: Scott Rudin, Jonathan Demme, Ilona Herzberg, Tina Sinatra
Composer: Rachel Portman, Wyclef Jean
Studio: Paramount Pictures
Reviews for The Manchurian Candidate
Happily, this extremely timely entertainment matches, even perhaps surpasses its predecessor.
Demme’s film is far from perfect and decidedly out-of-date, but it’s a fantastic cast that make this version so successful.
This solid thriller only works if you're unfamiliar with the 1962 original, one of the best films ever made.
An intelligent, provocative blockbuster that succeeds on its own merits.
Demme takes his time, letting the masterful actors do their thing and letting the eerie momentum slowly build.
Jonathan Demme, updating John Frankenheimer's classic exercise in cold war liberal paranoia, has made a witty, anxious thriller for a new age of political uncertainty.
Some will see it as a thriller. Others will view it as social satire. Almost all will be entertained.
Demme creates a compelling claustrophobic, paranoia-inducing world that makes this slick flick a gripping two hours
Film delivers brainy performances through a script that is tense and unsettling.
While not superior to the original, this paranoid conspiracy psycho-thriller is still a superior remake.
Nothing gets in the way of a great story, well told, one which manages to slip in a few political digs without losing sight of its mission as popular suspense entertainment.
Surprisingly effective as a thriller -- if ultimately rather timid (especially for an election year) as a political satire.
This newfangled 'Manchurian Candidate' delivers old-fashioned mesmerizing entertainment.
This is a good old-fashioned thriller, nothing less, and nothing more.
Demme never captures the clammy paranoia of the original, instead settling for a competent but largely hollow reinvention.
Like Demme's previous Washington starrer, Philadelphia, it's got something to say -- and says it well.
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