Happily, this extremely timely entertainment matches, even perhaps surpasses its predecessor.
The Manchurian Candidate (2004)
Tomatometer
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Reviews Counted:195
Fresh:159
Rotten:36
Average Rating:7.2/10
Consensus: While not the classic its predecessor is, this update is well-acted and conjures a chilling resonance.
Theatrical Release:19-11-2004
Synopsis: Jonathan Demme updates the original 1962 John Frankenheimer classic with plenty of new paranoid twists: This time a sinister Halliburton-style corporation is behind the brainwashing of a Gulf War... Jonathan Demme updates the original 1962 John Frankenheimer classic with plenty of new paranoid twists: This time a sinister Halliburton-style corporation is behind the brainwashing of a Gulf War hero turned vice presidential nominee, Raymond Shaw (Liev Schreiber). Shaw's old unit commander Ben Marco (Denzel Washington) recommended him for the National Medal of Honor, though he can't remember exactly why, and his recurring nightmares drive him to uncover a massive conspiracy. Sinister forces at work include shifty-eyed bodyguards, a love interest with questionable motives (Kimberly Elise), and Raymond's domineering senator mother (Meryl Streep). Demme infuses the proceedings with enough paranoia and uncomfortable close-ups to rival his 1991 Oscar-winner, SILENCE OF THE LAMBS. Layered sound, overlapping dialogue, and creepy cinematography by Tak Fujimoto (who also worked on LAMBS) further heighten the uneasiness. Demme regulars Roger Corman, Charles Napier, Paul Lazar, and Tracey Walter show up in bit parts as usual. Comedian Al Franken is a welcome face as a TV correspondent, and quirky indie rocker Robyn Hitchcock plays one of the brainwashing specialists. Needless to say, Denzel is superb. Streep is terrifying and hilarious as the maniacal Mrs. Shaw. As with the original (which focused on communist instead of terrorist fear-mongering), the events depicted here are doubly unsettling considering their uncanny resemblance to real-life politics at the time of this film's theatrical release. [More]
Starring: Liev Schreiber, Meryl Streep, Denzel Washington, Jon Voight
Starring: Liev Schreiber, Meryl Streep, Denzel Washington, Jon Voight, Kimberly Elise, Jeffrey Wright, Ted Levine
Director: Jonathan Demme
Director: Jonathan Demme
Screenwriter: George Axelrod, Daniel Pyne, Dean Georgaris
Producer: Scott Rudin, Jonathan Demme, Ilona Herzberg, Tina Sinatra
Composer: Rachel Portman, Wyclef Jean
Studio: Paramount Pictures
Reviews for The Manchurian Candidate
This solid thriller only works if you're unfamiliar with the 1962 original, one of the best films ever made.
An intelligent, provocative blockbuster that succeeds on its own merits.
Impressively accomplished and highly entertaining, with sufficiently smart new twists to keep you guessing all the way to the nerve-wracking climax.
Demme’s film is far from perfect and decidedly out-of-date, but it’s a fantastic cast that make this version so successful.
Get over this being a remake of a true classic and you'll find it's a movie more suited to today's sensibilities.
Jonathan Demme's inventive update of The Manchurian Candidate proves that you can remake classic movies -- provided you've got a strong captain at the helm.
screenwriters Daniel Pyne and Dean Georgaris take this opportunity to make up for a few small problems inherent in the original.
Like its fabled predecessor, and novelist Richard Condon's 1959 potboiler before that, Jonathan Demme's remake of The Manchurian Candidate refashions an old gag into something cautionary, frightening and far less than far-fetched.
This humorless and nonsensical so-called thriller--a total misread of Frankenheimer's classic original--never quite engages...
Before it self-destructs in its convoluted final act, the film is an astute, genuinely gripping thriller that speaks shrewdly to our current corporate-phobia and post-9/11 paranoia.
When it’s good, it’s very good, keeping its twists close to the vest and unfolding its mysteries in marvelous movie time.
Film delivers brainy performances through a script that is tense and unsettling.
Demme's variation on Condon's work emerges as little more than a craftsmanlike film with occasional flashes of intelligence and brilliance.
Marks a real revitalization of the political thriller, and with its plot climax occurring in conjunction with an American presidential election, the film could not be any more 'of the moment' and cautionary.
Viewers may feel as if they're watching a dramatization of 'Fahrenheit 9/11' ...
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