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Manderlay (2006)
Runtime: 2 hrs 19 mins
Synopsis: This is the strange, disturbing story of the Manderlay plantation. Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father had left the township of Dogville behind them. Grace's father and his army of villains had spent the... This is the strange, disturbing story of the Manderlay plantation. Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father had left the township of Dogville behind them. Grace's father and his army of villains had spent the entire winter seeking out new hunting grounds in vain, and now they were heading south in one last attempt to find a favourable location in which to take up residence. By chance their cars stop in the state of Alabama in front of a large iron gate bearing a thick chain and a padlock. Beside the gate, a dead oak tree towers over a heavy boulder with Manderlay hewn in monumental letters into the granite. Just as Grace, her father and his men are about to leave after a short break and a quick lunch, a young black woman runs up to the car. She knocks on Grace's window. She hammers at the glass in despair. Ignoring her father’s advice to leave others to their own affairs, Grace follows the girl through the gates of Manderlay and there, she finds a group of people living as if slavery had not been abolished seventy years earlier, with white masters and black slaves... Grace believes that she has a duty to make it up to the slaves for injustices they have suffered at the hands of her kind: 'we brought them here, we abused them and made them what they are', as she argues to her father; and she decides that having liberated Manderlay, she will remain at the plantation until she has seen them through their first harvest. Her father grudgingly leaves her with four henchmen and a lawyer, warning Grace that he won't be there to pick up the pieces when her plans for the resurrection of Manderlay fall apart... --© IFC Films [More]
Genre: Dramas
Starring: Bryce Dallas Howard, Isaach de Bankolé, Danny Glover, Willem Dafoe, Michael Abiteboul
Reviews
The audience's familiarity with the stylistic devices of Manderlay should allow the film's more reflective screenplay to shine through.
Watching this film is an edifying but frustrating experience; dull in parts, amusing and illuminating in others. You’d still struggle to call it entertainment.
There's a troubling sense that von Trier is simply going through the motions.
Manderlay isn't as powerful or as intense as Dogville, but it is still an intriguing and entertaining film, thanks to Bryce Dallas Howard's performance and John Hurt's hugely enjoyable narration.
A slow-burning, deeply disturbing fable that needs to be seen and discussed
It doesn't offer much insight into America's race issues, which might seem at first to be its target, but it works very well as a metaphor for America's intervention in Iraq.
If this trilogy finishes up strong, this middle portion may come to be seen as the weakest, though it's still forceful and intimate in the von Trier manner.
[It] raises interesting questions about what can happen in a democracy when its people are deeply corrupt. ... But likely to be more disheartened than enlightened.
A slightly more ponderous - if less dramatically satisfying - example of a Von Trier puppet show.
Relying on a daring script as executed by A-list actors, offers a potentially transformational experience for any inclined to contemplate an introspective, gut-wrenching meditation on the intractability of the legacy of slavery.
Manderlay is shorter but just as dull, pretentious and condescending as Dogville.
Manderlay loses in power what it lacks in novelty, even though it's more relevant than anything the year is likely to bring.
I was intrigued by the intensity and audaciousness of Dogville, but Manderlay feels stagey, earnest, long and pretentious. Its grainy, shaky hand-held camera-work only adds to the monotony.
... an anti-American rant that tediously plays out as a misplaced lecture by the pretentious filmmaker.
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