Watching this film is an edifying but frustrating experience; dull in parts, amusing and illuminating in others. You’d still struggle to call it entertainment.
Manderlay (2006)
Tomatometer
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Reviews Counted:95
Fresh:48
Rotten:47
Average Rating:5.6/10
Consensus: Manderlay may work better as a political statement than as a film, making its points at the expense of telling a compelling story.
Runtime: 2 hrs 19 mins
Genre: Dramas
Synopsis: This is the strange, disturbing story of the Manderlay plantation. Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father... This is the strange, disturbing story of the Manderlay plantation. Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father had left the township of Dogville behind them. Grace's father and his army of villains had spent the entire winter seeking out new hunting grounds in vain, and now they were heading south in one last attempt to find a favourable location in which to take up residence. By chance their cars stop in the state of Alabama in front of a large iron gate bearing a thick chain and a padlock. Beside the gate, a dead oak tree towers over a heavy boulder with Manderlay hewn in monumental letters into the granite. Just as Grace, her father and his men are about to leave after a short break and a quick lunch, a young black woman runs up to the car. She knocks on Grace's window. She hammers at the glass in despair. Ignoring her father’s advice to leave others to their own affairs, Grace follows the girl through the gates of Manderlay and there, she finds a group of people living as if slavery had not been abolished seventy years earlier, with white masters and black slaves... Grace believes that she has a duty to make it up to the slaves for injustices they have suffered at the hands of her kind: 'we brought them here, we abused them and made them what they are', as she argues to her father; and she decides that having liberated Manderlay, she will remain at the plantation until she has seen them through their first harvest. Her father grudgingly leaves her with four henchmen and a lawyer, warning Grace that he won't be there to pick up the pieces when her plans for the resurrection of Manderlay fall apart... --© IFC Films [More]
Starring: Bryce Dallas Howard, Isaach de Bankolé, Danny Glover, Willem Dafoe
Starring: Bryce Dallas Howard, Isaach de Bankolé, Danny Glover, Willem Dafoe, Michael Abiteboul, Lauren Bacall, Jean-Marc Barr, Udo Kier, John Hurt, Chloe Sevigny
Director: Lars von Trier
Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Vibeke Windelov
Studio: IFC Films
Reviews for Manderlay
There's a troubling sense that von Trier is simply going through the motions.
Manderlay isn't as powerful or as intense as Dogville, but it is still an intriguing and entertaining film, thanks to Bryce Dallas Howard's performance and John Hurt's hugely enjoyable narration.
A slow-burning, deeply disturbing fable that needs to be seen and discussed
The audience's familiarity with the stylistic devices of Manderlay should allow the film's more reflective screenplay to shine through.
tastes like cough syrup; we may not like what we see but we really need to see it
With "Manderlay," Lars von Trier has finally lost me. He has made an avid fan feel tired and abused.
Von Trier, there's no doubt about it, has become a taxidermist of America's sins, but the way he puts those sins on display only to thumb his nose at them marks him as a new style of prankster-hypocrite.
If von Trier can't be bothered to get out more, he should at least consider picking up a book or just using some real imagination.
There's nothing derivative about von Trier's telling, style and ultimate effect.
[von Trier's] most streamlined and subversive provocation to date... Be wary of any critic who attacks the filmmaker instead of addressing the film itself.
It may be that the director has overreached in Manderlay by trying to deal with racial conflicts in an excessively abstract manner.
I am glad that [Von Trier] exists, to decry our sins, but, with another sequel to come (Manderlay is the centerpiece of a trilogy), I am even gladder that he is one of a kind.
Latest News for Manderlay
January 26, 2006:
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