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Manito (2003)
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Reviews Counted:31
Fresh:29
Rotten:2
Average Rating:7.3/10
Consensus: An intimate and moving picture that captures the life of one of Manhattan's neighborhoods.
Runtime: 78 mins
Genre: Dramas
Synopsis:
Set, and vibrantly photographed, in the Washington Heights section of Manhattan, Manito is the fictional story of two days in the life of two Latino brothers, Junior and Manny. Employing techniques...
Set, and vibrantly photographed, in the Washington Heights section of Manhattan, Manito is the fictional story of two days in the life of two Latino brothers, Junior and Manny. Employing techniques of cinema verite, the film vibrantly captures a neighborhood and the people who live there.
In the 1990’s Washington Heights transformed from the crack-cocaine capital to one of the most vibrant Spanish-speaking communities in the U.S. As the drug dealers disappeared, their violent legacy continued to cast a shadow over the neighborhood and its residents. Junior Moreno (Franky G.), an ex-convict struggling to get his life back, is a product of that legacy. His brother Manny, (Leo Minaya) the Salutorian of his high school class, embodies the hope for the future of the neighborhood. On the night of his graduation party, Manny faces an ill-fated decision that could change his life forever. Junior tries to prevent his little brother from becoming another casualty of the neighborhood’s violent past.
Although it would be a mistake to think of Manito as an overtly political film, it is truly a document of the Giuliani era in New York City. While pervasive crime in neighborhoods such as Washington Heights may be all but gone, residents continue to live in the shadow of a powerful, often oppressive, police and corrections presence. -- © Film Movement
Starring: Franky G., Leo Minaya, Manuel Cabral, Julissa Lopez
Starring: Franky G., Leo Minaya, Manuel Cabral, Julissa Lopez, Jessica Morales, Hector Gonzalez, Panchito Gomez, Fulanito
Director: Eric Eason
Director: Eric Eason
Screenwriter: Eric Eason
Producer: Jesse Scolaro, Allen Bain
Studio: Film Movement
Reviews for Manito
Eason has made a film about family tragedy that sings along on an electrical pulse of energetic editing, convincing naturalism and a confident sense of turf.
The film shows a capsule of American urban life where few outside the community venture in. Eason hands out an invitation to do so. Accept it willingly.
It's a vibrant, embracing film of people on the fringe of mainstream America.
Ragged but intense, this compassionate little movie is stocked with enough skillful touches and sensitive moments to stir interest in Eason's future work.
Where do the actors come from, who can walk into their first picture and act with such effortless effect?
Eason balances the clichés of a fairly standard story with convincing realism and a powerful momentum that never flags.
A mangy little movie that winds up -- surprise! surprise! -- leaving you genuinely moved and sadly bewildered.
The movie barrels painfully through increasing misfortunes ... leaving filmgoers to walk out with the rawest of reactions.
Eason has crafted a small, independent film that has an outsized impact.
Captures in unadorned style the energy and emotions binding a Dominican family in Manhattan's Washington Heights section.
The digital camera itself becomes a major character because it gives any director with unique connections access to previously unfilmable subjects
Flaunts all of its potential liabilities -- microscopic budget, first-time director, unknown cast, downbeat story -- and, one by one, transforms them into soaring triumphs.
What Manito delivers that its cable TV cousins rarely seem interested in exploring are the tiniest details of the real urban 'hood where its stories take place.
A compelling slice-of-life narrative that draws much of its strength from its non-professional actors.
Latest News for Manito
July 11, 2005:
Fraser, Mos Def and Ms. Moreno to Star in Brazilian Thriller
Brendan Fraser ("The Mummy") will topline Millennium Films' "Journey to the End of the Night" for "Manito" writer/director Eric Eason, says... More...
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