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Maryam (2002)
Tomatometer
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Reviews Counted:34
Fresh:26
Rotten:8
Average Rating:6.8/10
Runtime: 90 mins
Genre: Dramas
Synopsis: Opening with a montage of news footage of the Islamic revolution in Iran and the exile of the Shah, set to The Cars' "Good Times Roll," MARYAM depicts the patriotic fervor and anti-Iranian... Opening with a montage of news footage of the Islamic revolution in Iran and the exile of the Shah, set to The Cars' "Good Times Roll," MARYAM depicts the patriotic fervor and anti-Iranian sentiment of America in 1979 through the eyes of an assimilated Iranian American teenage girl (Mariam Parris) who, like most teens, only wants to fit in. Her suburban existence is slightly shaken by the arrival of her cousin, Ali (David Ackert), a fundamentalist Muslim who has come to the U.S. to attend grad school. Ali reveals a terrible family secret that Maryam's mother (Shohreh Aghdashloo) and father (Shaun Toub) have kept from her. The family's peaceful middle class life is thrown into turmoil when the hostage crisis in Iran brings the bigotry in their white suburban community to the fore. Parris delivers a strong and sympathetic performance as a shy, pretty teen whose growing political and personal awareness brings on an emotional upheaval. First-time writer-director Ramin Serry has created a deeply personal film about an international crisis. His treatment of the subject is fair-minded and insightful. Working with a limited budget, he captures the specific flavor of 1979 and the universal angst of adolescence with equal aplomb. [More]
Starring: Mariam Parris, Shaun Toub, David Ackert, Shohreh Aghdashloo
Starring: Mariam Parris, Shaun Toub, David Ackert, Shohreh Aghdashloo, Maziyar Jobrani, Sabine Singh, Victor Jory, Michael Blieden, Jason Nash
Director: Ramin Serry
Director: Ramin Serry
Screenwriter: Ramin Serry
Producer: Shauna Lyon
Composer: Ahrin Mishan
Studio: Streetlight Films
Reviews for Maryam
A searing reminder of the relevance of recent history and of the timeless power of fiction to humanize people and crystallize sweeping events into personal drama.
It takes this never-ending confusion and hatred, puts a human face on it, evokes shame among all who are party to it and even promotes understanding.
A film with contemporary political resonance illustrated by a winning family story.
Not only a coming-of-age story and cautionary parable, but also a perfectly rendered period piece.
captures that perverse element of the Kafkaesque where identity, overnight, is robbed and replaced with a persecuted "other."
First-time writer-director Serry shows a remarkable gift for storytelling with this moving, effective little film.
While it may play like an after-school special you might have seen during the 1980s on PBS, the emotional struggles portrayed remain digestible, and often thought-provoking.
The film is powerful, accessible and funny. You won't miss its messages, but you'll be entertained as well.
A quietly moving look back at what it was to be Iranian-American in 1979.
Carefully crafted, notably in its deft dramatic structuring, and has become timely in a way its maker could never have anticipated.
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