Only the scenes of Dylan on stage really hold the attention.
Masked and Anonymous (2003)
Tomatometer
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Reviews Counted:77
Fresh:19
Rotten:58
Average Rating:4/10
Consensus: Unintelligible and self-indulgent Bob Dylan vehicle.
Runtime: 2 hrs
Genre: Dramas
Synopsis: Masked and Anonymous possesses such creative audacity, such a flow of ideas and provoking observations, transported by a barrage of wit, performance, and, of course, song, that you are bound to... Masked and Anonymous possesses such creative audacity, such a flow of ideas and provoking observations, transported by a barrage of wit, performance, and, of course, song, that you are bound to emerge from this singular film feeling both challenged and satisfied. Given the credentials of its architects, Larry Charles of Seinfeld and Bob Dylan, perhaps this is to be expected. But expectations are exactly what this extravagant political satire constantly overturns. At turns adventurous, playful, theatrical, and serious, this inspired combination of commentary and comedy is to be congratulated for what it accomplishes as much as the indulgence it avoids. Set somewhere, sometime, in an unnamed country, torn by civil war with unclear battle lines or ideology, Masked and Anonymous tells the story of a "benefit concert." Impressario Uncle Sweetheart (John Goodman) is scheming to find a headliner for this event whose purpose is unclear and whose charity is its promoter's pockets. Nina Veronica (Jessica Lange) is the veteran TV producer whose job it is to make the concert the international spectacle which it can never be. And when Sweetheart manages to get the iconic cult star Jack Fate (Dylan, in a wonderfully taciturn performance) released from prison, the stage is set for tumult. Jeff Bridges as the cynical investigative reporter, Penelope Cruz as his girlfriend, Luke Wilson as the devoted acolyte, and a sundry cast of supporting characters give this imaginative allegory its energy and spirit. Masked and Anonymous is part cartoon, part deconstruction, and all creative vision. -- © Sony Pictures Classics [More]
Starring: Bob Dylan, Jeff Bridges, Penelope Cruz, John Goodman
Starring: Bob Dylan, Jeff Bridges, Penelope Cruz, John Goodman, Jessica Lange, Luke Wilson, Christian Slater, Val Kilmer, Angela Bassett, Giovanni Ribisi, Mickey Rourke, Chris Penn, Cheech Marin
Director: Larry Charles
Director: Larry Charles
Screenwriter: Rene Fontaine, Sergei Petrov
Producer: Guy East, Marie Cantin
Studio: Sony Pictures Classics
Reviews for Masked and Anonymous
Some may dismiss it as a mess, but others will be challenged to find order amidst the chaos. And while so many films want to tie things up in neat little packages, Charles revels in opening a Pandora’s Box of ideas.
A rambling, disjointed, semi-coherent hodgepodge that plays like a parody of a bad Dylan song.
Dylan is so guarded that we can only look at him with awe as he shambles through his lines and walks around as if the camera were causing him physical pain, like a magnifying glass trying to set him on fire.
Predictably, the product is pretentious and self-destructive, as disinterested in storytelling as it is brimming with misanthropic speechifying only a pop Mahatma could get away with.
Movies are much too representational and finite to accommodate the Möbius strips of Dylan's language.
Could just as well be titled 'Masters of War' or 'Tombstone Blues' or 'Everything Is Broken.' At every cut in the action, you expect a gray flannel dwarf to scream...
...something is happening here, but you don't know what it is. Do you, Mr. Jones? Well, maybe not, but I know what I like.
Bob Dylan plays a thinly-disguised version of himself in this entertainingly overwritten star vehicle.
How much you end up liking the film probably relates to how much you sympathize with Dylan or Dylan-like characters.
That disgusting wet noise is an audience of eyes rolling skyward in unison.
With "masked & anonymous" the whole is less than the sum of its parts.
The film is a lot like a three-ring circus - sometimes the side show is better than the main event.
The great neglected movie of 2003, a rambunctious, provocative, genre-defying, and constantly surprising experiment.
While I can understand the experiment, I can't stomach the results. I constantly felt like the slow kid who just doesn't get the joke.
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