Too masked, too anonymous.
Masked and Anonymous (2003)
Tomatometer
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Reviews Counted:77
Fresh:19
Rotten:58
Average Rating:4/10
Consensus: Unintelligible and self-indulgent Bob Dylan vehicle.
Runtime: 2 hrs
Genre: Dramas
Synopsis: Masked and Anonymous possesses such creative audacity, such a flow of ideas and provoking observations, transported by a barrage of wit, performance, and, of course, song, that you are bound to... Masked and Anonymous possesses such creative audacity, such a flow of ideas and provoking observations, transported by a barrage of wit, performance, and, of course, song, that you are bound to emerge from this singular film feeling both challenged and satisfied. Given the credentials of its architects, Larry Charles of Seinfeld and Bob Dylan, perhaps this is to be expected. But expectations are exactly what this extravagant political satire constantly overturns. At turns adventurous, playful, theatrical, and serious, this inspired combination of commentary and comedy is to be congratulated for what it accomplishes as much as the indulgence it avoids. Set somewhere, sometime, in an unnamed country, torn by civil war with unclear battle lines or ideology, Masked and Anonymous tells the story of a "benefit concert." Impressario Uncle Sweetheart (John Goodman) is scheming to find a headliner for this event whose purpose is unclear and whose charity is its promoter's pockets. Nina Veronica (Jessica Lange) is the veteran TV producer whose job it is to make the concert the international spectacle which it can never be. And when Sweetheart manages to get the iconic cult star Jack Fate (Dylan, in a wonderfully taciturn performance) released from prison, the stage is set for tumult. Jeff Bridges as the cynical investigative reporter, Penelope Cruz as his girlfriend, Luke Wilson as the devoted acolyte, and a sundry cast of supporting characters give this imaginative allegory its energy and spirit. Masked and Anonymous is part cartoon, part deconstruction, and all creative vision. -- © Sony Pictures Classics [More]
Starring: Bob Dylan, Jeff Bridges, Penelope Cruz, John Goodman
Starring: Bob Dylan, Jeff Bridges, Penelope Cruz, John Goodman, Jessica Lange, Luke Wilson, Christian Slater, Val Kilmer, Angela Bassett, Giovanni Ribisi, Mickey Rourke, Chris Penn, Cheech Marin
Director: Larry Charles
Director: Larry Charles
Screenwriter: Rene Fontaine, Sergei Petrov
Producer: Guy East, Marie Cantin
Studio: Sony Pictures Classics
Reviews for Masked and Anonymous
I haven't seen so many talented actors in such an utter mess since well, since Hotel. It's as if Fellini had a brain cramp and turned his camera over to a blind man.
An exhilarating and sometimes puzzling jumble that explores the dangers of power, the nature of Americana and the Bob Dylan myth, among many, many other things.
While I can understand the experiment, I can't stomach the results. I constantly felt like the slow kid who just doesn't get the joke.
rather than a polished manuscript Masked and Anonymous is a sketch book and that should come as no surprise considering the talent involved
If you're a Dylan fan, the music rises to the occasion -- but please spare your eyes the pain and just buy the soundtrack for that.
The look of the film is great, the soundtrack glorious, but more often than not the dialogue is atrocious, featuring a lot of long-winded gobbledygook.
After a zippy first hour, the wackos wear out their welcome and the director, perversely, fails to show the big concert.
The results have more in common with the rambling, stream-of-conscious liner notes that Dylan used to write, and which everyone used to skip to get to the great music.
Is it muddled? Yes. Imperfect? Sure. Impenetrable? Well, that's open to interpretation.
The film is a lot like a three-ring circus - sometimes the side show is better than the main event.
That disgusting wet noise is an audience of eyes rolling skyward in unison.
With "masked & anonymous" the whole is less than the sum of its parts.
Masked and Anonymous' greatest asset and its greatest shortcoming are one in the same: Bob Dylan.
A vanity project in which everyone looks bad, this wannabe sociopolitical-musical provocation comes off instead as hipster upchuck.
It's a movie bloated with pretension, unplayable scenes, snarled dialogue and an erratic neither-here-nor-there look.
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