It's a blah little exploitation picture that thinks it's a deep humanist parable.
Matchstick Men (2003)
Tomatometer
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Reviews Counted:179
Fresh:148
Rotten:31
Average Rating:7.1/10
Consensus: Breezy and well-acted, Matchstick Men focuses more on the characters than on the con.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: Meet Roy (NICOLAS CAGE) and Frank (SAM ROCKWELL), a couple of pros at the small-time con. As in con artists. Grifters. Matchstick Men. Take your pick. What Roy, a veteran of the grift, and... Meet Roy (NICOLAS CAGE) and Frank (SAM ROCKWELL), a couple of pros at the small-time con. As in con artists. Grifters. Matchstick Men. Take your pick. What Roy, a veteran of the grift, and Frank, his ambitious protégé, are swindling - er, make that selling - these days are "water filtration systems," bargain-basement water filters bought by unsuspecting people who pay ten times their value in order to win bogus prizes like cars, jewelry and overseas vacations…which they never collect. These scams net the flim-flam men a few hundred here, another thousand there, which eventually adds up to a lucrative partnership. Roy's private life, however, is not so successful. An obsessive-compulsive agoraphobe (and chain-smoker) with no personal relationships to call his own, Roy is barely hanging on to his wits, and when his idiosyncrasies begin to threaten his criminal productivity he's forced to seek the help of a psychoanalyst (BRUCE ALTMAN) just to keep him in working order. While Roy is looking for a quick fix (i.e. pills), his therapy begets more than he bargained for: the revelation that he has a teenage daughter - a child whose existence he suspected but never dared confirm. What's more troubling, 14-year-old Angela (ALISON LOHMAN) wants to meet the father she never knew. At first, Angela's appearance disrupts her neurotic father's carefully ordered routine. Soon, however, with his own unique spin on parenthood, Roy begins to enjoy a relationship he never dreamed of having with his daughter. But while he develops paternal feelings for the 14-year-old, she's developing a fascination with Daddy's questionable career. Finally, at Angela's insistence and against his better judgment, the overprotective con artist begins teaching her some tricks of the trade and, much to his ambivalent mix of surprise, pride and dismay, she displays a remarkable gift for the grift. Now, like a kid with a new toy, Angela wants in on the partnership. But that could seriously jeopardize Roy's peace of mind - not to mention his whole way of life. This film is rated PG-13 by the MPAA for "thematic elements, violence, some sexual content and language." FOR RATINGS REASONS, GO TO FILMRATINGS.COM, PARENTALGUIDE.ORG AND MPAA.ORG [More]
Starring: Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill
Starring: Nicolas Cage, Sam Rockwell, Alison Lohman, Bruce McGill, Bruce Altman
Director: Ridley Scott
Director: Ridley Scott
Screenwriter: Nicholas Griffin, Ted Griffin
Producer: Jack Rapke, Steve Starkey, Sean Bailey, Ted Griffin
Composer: Hans Zimmer
Studio: Warner Bros.
Reviews for Matchstick Men
An uneven but engagingly quirky comedy-drama driven first by character, second by plot formulas, Cage is surprisingly convincing despite seeming at first like the wrong choice.
The sleight of mind takes you in like any patsy, providing the pleasures that deception (of the other guy) gives us.
...has so much sheer style and class that it more closely resembles an old Rat Pack project than a modern-day popcorn dud.
It's hard to say who exhibits more nervous tics -- star Cage, overdoing it as an agoraphobic con man or director Scott, clearly uncomfortable with small and intimate.
Those who anticipate the twist ending are likely to leave the theater feeling conned themselves..
Scott and company have approached the film intelligently and have thankfully credited their viewers with having brains as well.
One of the few con jobs since The Grifters that cheats its characters, not its audience.
The story's a bit on the traditional side (it could be pitched as "Catch Me If You Can" meets "Ocean's 11"), but the three leads make it an enticing and tense caper flick.
The fusion of Matchstick Men's usual conman life lesson with the father-daughter business is awkward and rushed by film's end. The pieces come together precisely, but sentimentally.
As one would expect from Ridley Scott, Matchstick Men is a visually innovative exercise.
Matchstick Men isn't even remotely intricate; it's not even particularly interesting.
For the sheer promise it held for so long, and its jarring plunge into maddening mediocrity by the end credits roll, Matchstick Men may just rank as the most disappointing film of the year.
A well-structured vehicle that delivers an enjoyable and entertaining ride.
...a well acted, highly stylized, and very entertaining romp that unfolds on the screen with natural aplomb, elicits laughs, perhaps a few tears, but will ultimately fade from memory once you exit the theater.
Alison Lohman effectively brings out how a teen girl can be both a delight and an albatross.
I wish "Matchstick Men" kept me in the dark longer than it does leading to the climax. It is a real pleasure, though, to see Cage in thesping form again.
An amusing enough, moderately clever movie, but most of it is rather one-note.
Figuring out the ending is only half the fun, anyway; watching a master helmer like Scott navigate through the twists and turns of Matchstick Men is really the more interesting journey.
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