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Matthew Barney: No Restraint (2006)
Runtime: 71 mins
Synopsis: From 1995 to 2002, avant-garde artist Matthew Barney wrote, directed, and starred in the Cremaster Cycle, five offbeat films featuring unusual situations and bizarre characters. Since 1987, he has also been working on the Drawing Restraint series, in which he uses physical weights and... From 1995 to 2002, avant-garde artist Matthew Barney wrote, directed, and starred in the Cremaster Cycle, five offbeat films featuring unusual situations and bizarre characters. Since 1987, he has also been working on the Drawing Restraint series, in which he uses physical weights and barriers to make the creation of his art more difficult--and more rewarding in the end. In 2005 he released DRAWING RESTRAINT 9, a film about a man (Barney) and a woman (Björk, Barney's real-life wife) who board a Japanese whaling ship and participate in some strange rituals and ceremonies involving a tank filling up with 45,000 pounds of petroleum jelly. Director Alison Chernick documents the making of DRAWING RESTRAINT 9 in MATTHEW BARNEY: NO RESTRAINT, mixing in clips from the film, behind-the-scenes interviews, and home-movie footage of Barney playing high-school football. She also examines Barney's entire career, speaking with gallery owner Barbara Gladstone, New York Times art critic Michael Kimmelman, Guggenheim curator Nancy Spector, and Yuko Hasegawa, chief curator of the 21st Century Museum of Contemporary Art in Kanazawa, Japan, which presented a major exhibition on the Drawing Restraint series, including a screening of the film, in the summer of 2005. It is not essential to have seen DRAWING RESTRAINT 9 before seeing MATTHEW BARNEY: NO RESTRAINT, which is more than just a making-of documentary; it's about the creative process itself. The ethereal music is provided by Björk and Mayumi Miyata. [More]
Genre: Education/General Interest
Starring: Barbara Gladstone, Matthew Barney, Bjork, Masayuki Komatsu, Michael Kimmelman
Reviews
An essential companion piece for anyone who feels like they didn't get
More interesting is Chernick's concise survey of Barney's intriguing early work, including weird Vaseline-covered sculptures and footage of him trying to draw while under physical restraints such as a harness, etc.
If Chernick set out to portray the couple's movie project as a bit frivolous and self-absorbed, she succeeded. But I doubt that was the intention.
... Chernick's film ends up being far more accessible than Barney's.
[Director] Chernick's stylish yet superficial report looks more like an orientation video for museum visitors.
Barney's art presents a cross between the creepiness of David Cronenberg and David Lynch and the grandiosity and business sense of George Lucas. Chernick's film unquestioningly admires it.
As blandly lucid as Barney is wildly and perplexingly imaginative.
Alison Chernick's documentary attempts to provide some much-needed insight, combining a biographical and artistic portrait of the provocateur.
An absorbing documentary that seeks to explain this most enigmatic of modern artists.
[Director Alison] Chernick misses the chance to follow in the footsteps of documentarian Thomas Riedelsheimer, whose essential artist-at-work films Touch The Sound and Rivers And Tides meditate on the ephemeral nature of the creative act.
Alison Chernick's aptly-named documentary takes us aboard a Japanese whaling vessel to witness the filming of the artist Matthew Barney's film Drawing Restraint 9.
A bit like a cinematic catalog for a gallery retrospective, Matthew Barney: No Restraint serves to explain Barney's m.o. to a wider aud.
Chernick may not answer every question about this beguiling and enigmatic film, but you wouldn't want it to: Mystery is an essential part of the Barney experience.
Chernick's documentary (and her subject) eloquently trace Barney's inspiration and intention in a way that naturalizes rather than neuters them.
It's interesting to watch [Barney] work and see how he created some of the amazing visuals from Drawing Restraint 9.
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