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Max

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Max (2002)

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Reviews Counted:110

Fresh:76

Rotten:34

Average Rating:6.4/10

Consensus: Well-acted in the execution of its provocative "what-if?" premise.

Runtime: 1 hr 48 mins

Genre: Dramas

Synopsis: Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines... Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines between art, politics and personal beliefs have been blurred beyond reckoning. The only question that remains is this: now what? In what direction will things turn next?

For Max Rothman (JOHN CUSACK), a soldier just returned from the Great War, the present has certainly turned out radically different from what he imagined. He returned from the war, one of the walking wounded, a damaged man trying to sort out his life. Once a promising artist, he lost his right arm and with it, his ability to paint. Yet the future still draws Max like a magnet, fueled by the restlessness, typified by the birth of modernism. Now, he opens up what quickly becomes an acclaimed art gallery. Also caught in the Post-War struggle are his beautiful wife (MOLLY PARKER) and children, a once picturesque family, now torn by uncertainty and Max's infatuation with his alluring artistic mistress (LEELEE SOBIESKI).

But then, at a celebratory party for the opening of his new show, Max meets another man interested in the future: a fellow war veteran and aspiring painter, a man with no family, no home and no friends. His name: Adolf Hitler (NOAH TAYLOR), and his decision to transfer his creative talents to politics, where at last he finds an outlet for his raw beliefs, sets into motion the most catastrophic period of the 20th century.

From Oscar-nominated screenwriter Menno Meyjes ("The Color Purple") comes MAX, a story of two unlikely friends facing an uncertain future and one's fateful decision to embrace a nightmare vision of evil. Deeply unsettling, defiantly humorous and ultimately, tragically moving, MAX is more historical fable than straight-ahead historical drama -- a tale that careens through art, politics, love, hope, intolerance, obsession and destructive malevolence to provide an original and intimate portrait of a major turning point in modern history.

MAX is the directorial debut of Menno Meyjes, who also wrote the screenplay. The film is produced by Andras Hamori ("Sunshine," "The Sweet Hereafter," "existenz").

"Meyjes mostly wanted Max Rothman to exist in a kind of state of timelessness - to look, sound and feel as if he could exist just as easily in the 21st century, as if his idealism and energy could be part of today's culture…"

-- © 2002 Lions Gate Films [More]

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker, Ulrich Thomsen, David Horovitch, Janet Suzman, Kevin McKidd

Director: Menno Meyjes

Director: Menno Meyjes
Screenwriter: Menno Meyjes
Producer: Andras Hamori
Composer: Dan Jones
Studio: Lions Gate Films

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Reviews for Max

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1 - 20 (sorted by fresh rating; UK critics are listed first)
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Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine
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Full Review Source: BBC | comment Comment
05/30/03
Jamie Russell
Jamie Russell
BBC
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Full Review Source: ViewLondon | comment Comment
06/21/03
Matthew Turner
Matthew Turner
ViewLondon
N/R

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Full Review Source: Guardian [UK] | comment Comment
07/08/03
Guardian [UK]
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N/R

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Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Derek Adams
Time Out
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N/R

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Full Review Source: Shadows on the Wall | comment Comment
12/05/02
Rich Cline
Rich Cline
Shadows on the Wall

A fine, oddly intriguing movie.

Full Review Source: E! Online | comment Comment
12/27/02
E! Online
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Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat
Top Critic Icon Top Critic

a brave film, showing Hitler as a pathetic cog in a larger machine hurtling inevitably towards the Holocaust.

Full Review Source: Killer Movie Reviews | comment Comment
04/05/03
Andrea Chase
Andrea Chase
Killer Movie Reviews

The 'what-ifs' involved have offended some people, but I found the movie fascinating for its subtext about art and politics, then as now.

Full Review Source: New York Observer | comment Comment
01/16/03
Andrew Sarris
Andrew Sarris
New York Observer

Max pokes, provokes, takes expressionistic license and hits a nerve...as far as art is concerned, it's mission accomplished.

Full Review Source: Metro Times (Detroit, MI) | comment Comment
02/17/03
Anita Schmaltz
Anita Schmaltz
Metro Times (Detroit, MI)

A thoughtful, intelligent and handsome, if somewhat unbalanced, effort

Full Review Source: culturevulture.net | comment Comment
12/30/02
Arthur Lazere
Arthur Lazere
culturevulture.net

Any film that can be said to feature a sequence in which teddy bears are tossed into a meat grinder definitely brushes up against greatness.

Full Review Source: Film Freak Central | comment Comment
10/12/02
Bill Chambers
Bill Chambers
Film Freak Central

Offers a persuasive look at a defeated but defiant nation in flux.

Full Review Source: Houston Chronicle | comment Comment
02/28/03
Bruce Westbrook
Bruce Westbrook
Houston Chronicle

It's disturbing because we know what happens next, but it's well done.

Full Review Source: TheMovieChicks.com | comment Comment
01/24/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Taylor is exceptional.

Full Review Source: Filmcritic.com | comment Comment
12/01/02
Christopher Null
Christopher Null
Filmcritic.com

Cusack’s deadpan delivery works a treat here.

Full Review Source: Film Threat | comment Comment
12/24/02
Clint Morris
Clint Morris
Film Threat

immerse yourself in two fantastic performers, A polished narrative (by Menno Meyjes) and a possible “could have happened” scenario.

Full Review Source: Moviehole | comment Comment
12/27/02
Clint Morris
Clint Morris
Moviehole

At first, he ridicules Adolf's claims to connections between art and politics: "Would you rather teach them a new way to see, or how to pay their taxes?" he asks.

Full Review Source: PopMatters | comment Comment
02/07/03
Cynthia Fuchs
Cynthia Fuchs
PopMatters

Max doesn't 'humanize' Hitler, but makes him frighteningly plausible as a dud artist who took revenge by twisting history into a personal, obscene project.

Full Review Source: San Diego Union-Tribune | comment Comment
02/24/03
David Elliott
David Elliott
San Diego Union-Tribune
 
 
1 - 20 (sorted by fresh rating; UK critics are listed first)
Text View | 1 2 3 4 5 6 >> >|
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Latest News for Max

April 20, 2005: Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...

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