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Max

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Max (2002)

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Reviews Counted:110

Fresh:76

Rotten:34

Average Rating:6.4/10

Consensus: Well-acted in the execution of its provocative "what-if?" premise.

Runtime: 1 hr 48 mins

Genre: Dramas

Synopsis: Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines... Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines between art, politics and personal beliefs have been blurred beyond reckoning. The only question that remains is this: now what? In what direction will things turn next?

For Max Rothman (JOHN CUSACK), a soldier just returned from the Great War, the present has certainly turned out radically different from what he imagined. He returned from the war, one of the walking wounded, a damaged man trying to sort out his life. Once a promising artist, he lost his right arm and with it, his ability to paint. Yet the future still draws Max like a magnet, fueled by the restlessness, typified by the birth of modernism. Now, he opens up what quickly becomes an acclaimed art gallery. Also caught in the Post-War struggle are his beautiful wife (MOLLY PARKER) and children, a once picturesque family, now torn by uncertainty and Max's infatuation with his alluring artistic mistress (LEELEE SOBIESKI).

But then, at a celebratory party for the opening of his new show, Max meets another man interested in the future: a fellow war veteran and aspiring painter, a man with no family, no home and no friends. His name: Adolf Hitler (NOAH TAYLOR), and his decision to transfer his creative talents to politics, where at last he finds an outlet for his raw beliefs, sets into motion the most catastrophic period of the 20th century.

From Oscar-nominated screenwriter Menno Meyjes ("The Color Purple") comes MAX, a story of two unlikely friends facing an uncertain future and one's fateful decision to embrace a nightmare vision of evil. Deeply unsettling, defiantly humorous and ultimately, tragically moving, MAX is more historical fable than straight-ahead historical drama -- a tale that careens through art, politics, love, hope, intolerance, obsession and destructive malevolence to provide an original and intimate portrait of a major turning point in modern history.

MAX is the directorial debut of Menno Meyjes, who also wrote the screenplay. The film is produced by Andras Hamori ("Sunshine," "The Sweet Hereafter," "existenz").

"Meyjes mostly wanted Max Rothman to exist in a kind of state of timelessness - to look, sound and feel as if he could exist just as easily in the 21st century, as if his idealism and energy could be part of today's culture…"

-- © 2002 Lions Gate Films [More]

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker, Ulrich Thomsen, David Horovitch, Janet Suzman, Kevin McKidd

Director: Menno Meyjes

Director: Menno Meyjes
Screenwriter: Menno Meyjes
Producer: Andras Hamori
Composer: Dan Jones
Studio: Lions Gate Films

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Reviews for Max

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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Full Review Source: BBC | comment Comment
05/30/03
Jamie Russell
Jamie Russell
BBC
Top Critic Icon Top Critic

Click to read the article

Full Review Source: ViewLondon | comment Comment
06/21/03
Matthew Turner
Matthew Turner
ViewLondon

Click to read the article

Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine
Top Critic Icon Top Critic
N/R

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Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Derek Adams
Time Out
Top Critic Icon Top Critic
N/R

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Full Review Source: Shadows on the Wall | comment Comment
12/05/02
Rich Cline
Rich Cline
Shadows on the Wall
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
07/08/03
Guardian [UK]
Top Critic Icon Top Critic

Definitely far below its potential, but it is nevertheless one of the more thought-provoking films of our times.

Full Review Source: rec.arts.movies.reviews | comment Comment
12/24/02
Dragan Antulov
Dragan Antulov
rec.arts.movies.reviews

Max has precious little sting as a morality tale or punch as a parable about the relationship of art to politics.

Full Review Source: Seattle Post-Intelligencer | comment Comment
03/06/03
William Arnold
William Arnold
Seattle Post-Intelligencer

Engagingly prepossessing but slightly rough around the edges.

Full Review Source: Palo Alto Weekly | comment Comment
01/22/03
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

This film belongs to Taylor and no one else.

Full Review Source: Sacramento Bee | comment Comment
01/31/03
Joe Baltake
Joe Baltake
Sacramento Bee

Max ignites when Taylor is on screen. It frequently becomes sluggish when the focus is exclusively on the title character and the individuals surrounding him.

Full Review Source: ReelViews | comment Comment
12/31/02
James Berardinelli
James Berardinelli
ReelViews

This movie may be to smart for mass audiences; others order immediately.

Full Review Source: Blunt Review | comment Comment
11/28/02
Emily Blunt
Emily Blunt
Blunt Review

The best thing about Max is its originality.

Full Review Source: Orlando Sentinel | comment Comment
01/24/03
Jay Boyar
Jay Boyar
Orlando Sentinel

Rarely has the banality of evil been so well illustrated, and the notion that the film somehow humanizes Hitler is the sort of misconception available only to those who have not seen the movie.

Full Review Source: Jam! Movies | comment Comment
01/17/03
Liz Braun
Liz Braun
Jam! Movies

For all the food for thought offered by the film, its overall success is diminished by the fact that there's too much Max and not enough Hitler.

Full Review Source: Creative Loafing | comment Comment
02/26/03
Matt Brunson
Matt Brunson
Creative Loafing

This bold fim shows that racial hatred is a mystery and a moron. Here Adolf Hitler's hostile imagination skitters from drawings to an outpouring of rage against the Jews.

Full Review Source: Spirituality and Practice | comment Comment
12/26/02
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

The film is torn between playing [Taylor's] character for real and as a dangerous joke.

Full Review Source: Boston Globe | comment Comment
03/21/03
Ty Burr
Ty Burr
Boston Globe

Any film that can be said to feature a sequence in which teddy bears are tossed into a meat grinder definitely brushes up against greatness.

Full Review Source: Film Freak Central | comment Comment
10/12/02
Bill Chambers
Bill Chambers
Film Freak Central

a brave film, showing Hitler as a pathetic cog in a larger machine hurtling inevitably towards the Holocaust.

Full Review Source: Killer Movie Reviews | comment Comment
04/05/03
Andrea Chase
Andrea Chase
Killer Movie Reviews

A subject like Hitler deserves stronger psychological exploration than such a fairy-tale-level story is able to handle.

Full Review Source: Window to the Movies | comment Comment
12/29/02
Jeffrey Chen
Jeffrey Chen
Window to the Movies
 
 
1 - 20 (sorted by critic A-Z; UK critics are listed first)
Text View | 1 2 3 4 5 6 >> >|
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Latest News for Max

April 20, 2005: Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...

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