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Movies / On DVD / Max
Max

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Max (2002)

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Reviews Counted:110

Fresh:76

Rotten:34

Average Rating:6.4/10

Consensus: Well-acted in the execution of its provocative "what-if?" premise.

Runtime: 1 hr 48 mins

Genre: Dramas

Synopsis: Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines... Munich,1918: In a world reeling from World War One and the shock of the new, everyone's mind is on the future. It is a time of high-octane debate and dreams of drastic change, a time when the lines between art, politics and personal beliefs have been blurred beyond reckoning. The only question that remains is this: now what? In what direction will things turn next?

For Max Rothman (JOHN CUSACK), a soldier just returned from the Great War, the present has certainly turned out radically different from what he imagined. He returned from the war, one of the walking wounded, a damaged man trying to sort out his life. Once a promising artist, he lost his right arm and with it, his ability to paint. Yet the future still draws Max like a magnet, fueled by the restlessness, typified by the birth of modernism. Now, he opens up what quickly becomes an acclaimed art gallery. Also caught in the Post-War struggle are his beautiful wife (MOLLY PARKER) and children, a once picturesque family, now torn by uncertainty and Max's infatuation with his alluring artistic mistress (LEELEE SOBIESKI).

But then, at a celebratory party for the opening of his new show, Max meets another man interested in the future: a fellow war veteran and aspiring painter, a man with no family, no home and no friends. His name: Adolf Hitler (NOAH TAYLOR), and his decision to transfer his creative talents to politics, where at last he finds an outlet for his raw beliefs, sets into motion the most catastrophic period of the 20th century.

From Oscar-nominated screenwriter Menno Meyjes ("The Color Purple") comes MAX, a story of two unlikely friends facing an uncertain future and one's fateful decision to embrace a nightmare vision of evil. Deeply unsettling, defiantly humorous and ultimately, tragically moving, MAX is more historical fable than straight-ahead historical drama -- a tale that careens through art, politics, love, hope, intolerance, obsession and destructive malevolence to provide an original and intimate portrait of a major turning point in modern history.

MAX is the directorial debut of Menno Meyjes, who also wrote the screenplay. The film is produced by Andras Hamori ("Sunshine," "The Sweet Hereafter," "existenz").

"Meyjes mostly wanted Max Rothman to exist in a kind of state of timelessness - to look, sound and feel as if he could exist just as easily in the 21st century, as if his idealism and energy could be part of today's culture…"

-- © 2002 Lions Gate Films [More]

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker

Starring: John Cusack, Noah Taylor, Leelee Sobieski, Molly Parker, Ulrich Thomsen, David Horovitch, Janet Suzman, Kevin McKidd

Director: Menno Meyjes

Director: Menno Meyjes
Screenwriter: Menno Meyjes
Producer: Andras Hamori
Composer: Dan Jones
Studio: Lions Gate Films

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Reviews for Max

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41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

This film belongs to Taylor and no one else.

Full Review Source: Sacramento Bee | comment Comment
01/31/03
Joe Baltake
Joe Baltake
Sacramento Bee

Meyjes' provocative film might be called an example of the haphazardness of evil.

Full Review Source: Charlotte Observer | comment Comment
01/31/03
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

As a ravishingly photographed, high-minded meditation on the potential of art and therapy to exorcise the vilest sort of psychological poison, it is positively riotous -- an Everest of idiocy.

Full Review Source: Slate | comment Comment
01/31/03
David Edelstein
David Edelstein
Slate

Meyjes has penned a smart script that juggles key historical points, each bearing the weight of consequence.

Full Review Source: Eclipse Magazine | comment Comment
01/31/03
Sean O'Connell
Sean O'Connell
Eclipse Magazine

Meyjes swaddles his story in irony like butcher salting pork.

Full Review Source: Sacramento News & Review | comment Comment
01/27/03
Jim Lane
Jim Lane
Sacramento News & Review

An admirably intelligent and ambitious piece of work, darkly clever yet grimly purposeful as it considers the ironies of history and the vagaries of happenstance.

Full Review Source: San Francisco Examiner | comment Comment
01/27/03
Joe Leydon
Joe Leydon
San Francisco Examiner
N/R

Click to read the article

Full Review Source: Film Journal International | comment Comment
01/25/03
Film Journal International
Top Critic Icon Top Critic

Click to read the article

Full Review Source: SPLICEDWire | comment Comment
01/25/03
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

A fine and entertaining film that shouldn't be ignored by those who abhor the name of Hitler.

Full Review Source: Oregonian | comment Comment
01/24/03
Shawn Levy
Shawn Levy
Oregonian

The best thing about Max is its originality.

Full Review Source: Orlando Sentinel | comment Comment
01/24/03
Jay Boyar
Jay Boyar
Orlando Sentinel

An intelligent film with a sophisticated understanding of art and the significance it played in Hitler's psychology.

Full Review Source: San Francisco Chronicle | comment Comment
01/24/03
Mick LaSalle
Mick LaSalle
San Francisco Chronicle

As chilling and fascinating as Philippe Mora's modern Hitler-study, Snide and Prejudice.

Full Review Source: New Times | comment Comment
01/24/03
Gregory Weinkauf
Gregory Weinkauf
New Times

Peculiar and intriguing.

Full Review Source: Chicago Sun-Times | comment Comment
01/24/03
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

It's disturbing because we know what happens next, but it's well done.

Full Review Source: TheMovieChicks.com | comment Comment
01/24/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Does little more than play an innocuous game of fill-in- the-blanks with a tragic past.

Full Review Source: Orlando Weekly | comment Comment
01/23/03
Steve Schneider
Steve Schneider
Orlando Weekly

A mildly flawed but nonetheless compelling 'what if?' interpretation of the events that shaped a singularly hateful man.

Full Review Source: Dallas Morning News | comment Comment
01/23/03
Gary Dowell
Gary Dowell
Dallas Morning News

A flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds.

Full Review Source: Chicago Tribune | comment Comment
01/23/03
Michael Wilmington
Michael Wilmington
Chicago Tribune

Engagingly prepossessing but slightly rough around the edges.

Full Review Source: Palo Alto Weekly | comment Comment
01/22/03
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

It takes talent to make a lifeless movie about the most heinous man who ever lived.

Full Review Source: CinemaBlend.com | comment Comment
01/20/03
Joshua Tyler
Joshua Tyler
CinemaBlend.com

The movie tries, and largely succeeds, in putting a human face -- an ugly one -- on the otherwise incomprehensibly chilling mask of Nazi inhumanity.

Full Review Source: Toronto Star | comment Comment
01/17/03
Geoff Pevere
Geoff Pevere
Toronto Star
 
 
41 - 60 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 5 6 >> >|
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Latest News for Max

April 20, 2005: Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...

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