Half works, and the half that doesn't work isn't so bad that it's not worth sitting through to see a Woody Allen comedy starring Will Ferrell.
Melinda and Melinda (2005)
Tomatometer
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Reviews Counted:150
Fresh:80
Rotten:70
Average Rating:5.8/10
Consensus: Woody Allen's uneven Melinda and Melinda fails to find neither comedy nor pathos in what seems like a rehash of his previous themes.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in... Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in unexpectedly on a dinner party in an apartment in New York City, Sy (Wallace Shawn) expands it into a romantic comedy, while Max (Larry Pine) turns it into an urban tragedy. Allen intercuts between the two retellings, intermingling cause and effect, love and romance, failure and success, as Melinda creates havoc in both fictional worlds. Each story has its own cast: the comedy features Will Ferrell, Amanda Peet, and Josh Brolin; the tragedy stars Chloe Sevigny, Jonny Lee Miller, and Chiwetel Ejiofor. Radha Mitchell is the only repeat actor, playing both Melindas, and she does a tremendous job. Interestingly, the comic section is not a straight laughfest, like Allen's SLEEPERS, ANNIE HALL, or BULLETS OVER BROADWAY, and the more serious part is not nearly as dour as INTERIORS or ANOTHER WOMAN. Instead, Allen, who has been criticized by critics and fans alike for not making more funny films, has created two parallel universes that each combines aspects of comedy and tragedy, resulting in a wonderful, insightful drama. [More]
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller, Chloë Sevigny, Will Ferrell, Chjwetel Ejiofor, Amanda Peet, Steve Carell, Shalom Harlow, Vanessa Shaw, Josh Brolin
Director: Woody Allen
Director: Woody Allen
Screenwriter: Andy Borowitz, Woody Allen
Studio: Fox Searchlight Pictures
Reviews for Melinda and Melinda
A movie that too often is dull and duller, an exercise posing as a full-blown drama. Or is it posing as a comedy?
Overcoming the handicap of an overt, writerly device, Allen crafts a warm comedy and a painful tragedy right before our eyes.
I'm torn - half of me thinks this is worth seeing and the other half says wait to rent it or see it on cable.
Sin City is the most gorgeous digital movie ever made. It represents a stunning leap forward in both the technology of digital cinema and the art of filmmaking.
A step in the right direction, yes. A masterpiece, no. Still, it's a big step, one that at least bears comparison with much of Mr. Allen's better work.
Allen once based his career on making mincemeat of the very people Melinda and Melinda dotes upon.
Allen knows it's foolish to speak of comedy and drama as if they're separate things, so he intermingles them here.
The comic half of the double feature is more wheezy than breezy, and the drama lacks the pulverizing punch of serious art.
Melinda returns Woody Allen to more steady ground; yet, his film still feels like a work completed with one eye closed.
Allen lately has grown tired of complex characters and inventive actors to play them. He appears to be making movies because that's what he's always done, but the love and the ideas and the zip are essentially gone.
Comic or tragic, a story should be involving. With dreary, self-involved, characters who move around the plots like sleepwalkers, neither one of these stories is.
As the title suggests, Melinda and Melinda features two renditions of the same person. Woody Allen would have been smart to scrap them both and start from scratch.
Little more than a failed stunt, a would-be magic trick in which the sleight of hand is all too obvious.
Woody Allen breaks his recent slump with Melinda and Melinda, his best and most purely enjoyable film in a decade.
I couldn't buy that two supposedly sophisticated theater people could be so simpleminded about what defines comedy and tragedy. I also couldn't believe in most of the characters, including either version of Melinda.
Latest News for Melinda and Melinda
April 25, 2005:
Radha Mitchell to Climb the "Silent Hill" for TriStar Pictures
More...
April 20, 2005:
Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...
April 01, 2005:
Steve Carell to "Get Smart"?
Andrew Weil of ComingSoon.net had a brief chat with funnyman Steve Carell while visiting the set of "The 40-Year-Old Virgin," and here's what the actor had to say... More...
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