Watching Ferrell here is a joy.
Melinda and Melinda (2005)
Tomatometer
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Reviews Counted:150
Fresh:80
Rotten:70
Average Rating:5.8/10
Consensus: Woody Allen's uneven Melinda and Melinda fails to find neither comedy nor pathos in what seems like a rehash of his previous themes.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in... Woody Allen mixes the tragic with the comic in MELINDA AND MELINDA, a delightful, intelligent look at two versions of the same story. After hearing a tale about a quirky woman who walks in unexpectedly on a dinner party in an apartment in New York City, Sy (Wallace Shawn) expands it into a romantic comedy, while Max (Larry Pine) turns it into an urban tragedy. Allen intercuts between the two retellings, intermingling cause and effect, love and romance, failure and success, as Melinda creates havoc in both fictional worlds. Each story has its own cast: the comedy features Will Ferrell, Amanda Peet, and Josh Brolin; the tragedy stars Chloe Sevigny, Jonny Lee Miller, and Chiwetel Ejiofor. Radha Mitchell is the only repeat actor, playing both Melindas, and she does a tremendous job. Interestingly, the comic section is not a straight laughfest, like Allen's SLEEPERS, ANNIE HALL, or BULLETS OVER BROADWAY, and the more serious part is not nearly as dour as INTERIORS or ANOTHER WOMAN. Instead, Allen, who has been criticized by critics and fans alike for not making more funny films, has created two parallel universes that each combines aspects of comedy and tragedy, resulting in a wonderful, insightful drama. [More]
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller
Starring: Wallace Shawn, Larry Pine, Radha Mitchell, Jonny Lee Miller, Chloë Sevigny, Will Ferrell, Chjwetel Ejiofor, Amanda Peet, Steve Carell, Shalom Harlow, Vanessa Shaw, Josh Brolin
Director: Woody Allen
Director: Woody Allen
Screenwriter: Andy Borowitz, Woody Allen
Studio: Fox Searchlight Pictures
Reviews for Melinda and Melinda
Here the Allen surrogate is Will Ferrell playing a failed actor, all flailing gestures and squinty eyes. Whenever he's onscreen, the film comes alive. Otherwise, not so.
Simply put: There's not much trenchant pathos in the former, while the guffaws are far between in the latter.
The real drama here is pretentious Woody trying to catch a ride on funny, formerly saleable Woody.
It doesn’t rank among his best, certainly, but it’s encouraging in a way that Anything Else wasn’t.
Ferrell, Mitchell and Ejiofor are all superfine, but the whole cast acts up admirably. And Allen's writing is as good and sharp as anything he has done recently.
Though Melinda is no masterpiece, it's also an Allen film that requires almost zero special pleading.
Where Woody Allen’s Manhattan intellectual and pithy lines always evinced a smile when delivered by the auteur, in the hands of his replacements they are just not funny.
Only Brooke Smith is distinctive as supporting player Cassie. Amanda Peet is a natural for Woody's style, but is saddled with one of Allen's most cliched characters
A movie about the symbiosis of the filmmaker and the audience, who are required to conspire in the creation of an imaginary world.
The comic version of Melinda’s story is only mildly less somber than the tragic version.
For all its failings...[has] enough thoughtfulness, creative energy, and comedic idiosyncracy to outpace any five modern comedies, much less two.
Allen is no longer the sure-handed artist who made Annie Hall, Manhattan and Hannah and her Sisters. He is the guy at the park with a limp.
Writing this review hurts, and I'm sure seeing Melinda and Melinda will bring pain for most Woody Allen fans.
The eclectic supporting cast keeps things interesting for a little while...but the novelty soon wears off, and we're left with nothing more than an unusually dull Allen flick.
Pretentiously analytic as it might be, if Allen's next film is as much better as this is over his last few, there's hope for his serio-comedic angst-filled satires.
Whether Melinda's excesses lead to heartbreak or full-on calamity, the film proposes that she's too much for either genre on its own.
Latest News for Melinda and Melinda
April 25, 2005:
Radha Mitchell to Climb the "Silent Hill" for TriStar Pictures
More...
April 20, 2005:
Cusack and Peet Have a Favorite "Martian"
Described by The Hollywood Reporter as "a cross between E.T. and Parenthood" is the upcoming family film "The Martian Child." John Cusack ("High... More...
April 01, 2005:
Steve Carell to "Get Smart"?
Andrew Weil of ComingSoon.net had a brief chat with funnyman Steve Carell while visiting the set of "The 40-Year-Old Virgin," and here's what the actor had to say... More...
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