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Memento (2001)
Tomatometer
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Reviews Counted:135
Fresh:125
Rotten:10
Average Rating:8.1/10
Consensus: Memento's fragmented, complex narrative is skillfully executed, keeping audiences guessing. Overall, critics find it to be a highly original, clever movie.
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he... Leonard Shelby (Guy Pearce) wears expensive, European tailored suits, drives a late model Jaguar sedan, but lives in cheap, anonymous motels, paying his way with thick wads of cash. Although he looks like a successful businessman, his only work is the pursuit of vengeance: tracking and punishing the man who raped and murdered his wife. His suspicions dismissed by the police, Leonard's life has become an all-consuming quest for justice. The difficulty, however, of locating his wife's killer is compounded by the fact that Leonard suffers from a rare, untreatable form of memory loss. Although he can recall details of life before his "accident", Leonard can't remember what happened fifteen minutes ago, where he is, where he's going or why. A former insurance investigator, Leonard is keenly aware of his handicap. Moreover, he's got the discipline to compensate as well as the motivation-the cruel memory of his beloved wife's last moments. Haunted by what he's lost, he's re-built his life out of index cards, photographs, file folders, charts, tattoos and obsessive habits that stand in for memory, fixing him in space and time and connecting him to his mission. Out of necessity, Leonard must rely on others despite being thoroughly ill-equipped to assess either their motives or basic decency. Leonard remembers his past-up to a point. But just who has Leonard become since losing the ability to hold together the fragments of himself? "Memento" mines this psychological terrain, using non-linear film narrative to mirror Leonard's own effort to interpret the random pieces of evidence he hoards. The murder, rewound in the opening frames, we discover, is logically the endpoint of Leonard's story. What we learn comes from a point earlier in time, a few moments and a few sentences prior to what we've already been shown. As Leonard's story unfolds, the meaning of events changes. Allies, enemies, victims, victimizers swap place almost kaleidoscopically. [More]
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone
Starring: Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Junior Boone, Stephen Tobolowsky, Harriet Harris, Jorja Fox
Director: Christopher Nolan
Director: Christopher Nolan
Screenwriter: Christopher Nolan
Producer: Jennifer Todd, Suzanne Todd
Composer: David Julian
Studio: Newmarket Films
Reviews for Memento
Nolan pulls off this complicated narrative structure with great flair.
"Memento" is a crime-revenge story that relies on its one big gimmick.
The film is cool, contemplative, a puzzle movie in which you see the finished puzzle right up front and then watch as it disassembles itself.
Unlike most neo-noir, the script is not based on any previous film. Rather, it's a shrewd deconstruction of the genre itself, defying linear progression and going backwards and sideways in a logical yet captivating manner.
Just when you thought film noir was dead and buried, along comes the memorably mind-bending Memento.
Memento is as bleak as they come. But sometimes staring into humanity's heart of darkness is a healthy thing.
Fans of film noir and The Usual Suspects will find much to appreciate about Memento, with its circular loop of lost memory.
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