So much to see and hear, yet the magic of Memoirs of a Geisha is the human way it touches the heart. The cumulative effect is like being knocked unconscious by the wing of a butterfly.
Memoirs of a Geisha (2005)
Tomatometer
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Reviews Counted:155
Fresh:54
Rotten:101
Average Rating:5.4/10
Consensus: Less nuanced than its source material, Memoirs of a Geisha may be a lavish production, but it still carries the simplistic air of a soap opera.
Theatrical Release:13-01-2006
Synopsis: Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese... Arthur Golden's blockbuster bestseller, MEMOIRS OF A GEISHA, has been brilliantly brought to the big screen by Oscar-nominated director Rob Marshall (CHICAGO). The film opens in a remote Japanese fishing village in 1929, where two sisters, Chiyo and Satsu, are sold by their troubled father to people who place Chiyo in a classy geisha house known as an okiya in Gion and Satsu in a much more vulgar and dangerous district. Chiyo becomes a maid to Hatsumomo, a cold, controlling, and calculating geisha who is instantly jealous of Chiyo's unusual, beautiful eyes and childish innocence. Chiyo is befriended by Pumpkin, another maid at the okiya, but the two are soon driven apart. Chiyo is shown compassion by the Chairman and another, more successful geisha, Mameha, who takes her under her wing as her "little sister," furthering the battle between Chiyo, now called Sayuri, and Hatsumomo. As Sayuri is trained in the art of being a geisha, learning how to walk, talk, dance, and serve (up to a point) in order to please and honor her distinguished male clients, World War II looms on the horizon, threatening to upend Japan and its old ways. MEMOIRS OF A GEISHA is a lush, sweeping historical and romantic epic, featuring gorgeous period costumes, primarily the exquisite kimono worn by the geisha. Ziyi Zhang (HOUSE OF FLYING DAGGERS) is outstanding as Sayuri, who stands up to the oppressive Hatsumomo (the effervescent Gong Li), while Michelle Yeoh, who starred with Zhang in CROUCHING TIGER, HIDDEN DRAGON, is splendid as the wise and elegant Mameha. Ken Watanabe (THE LAST SAMURAI), Koji Yakusho (SHALL WE DANCE?), and Cary-Hiroyuki Tagawa (ELEKTRA) are among the men who take an interest in Sayuri, who is continually faced with difficult choices that will shape her destiny, just as Japan's destiny is changing shape with the coming of the West. John Williams's soaring score is enhanced by solos from virtuosos Yo-Yo Ma and Itzhak Perlman. [More]
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh
Starring: Zhang Ziyi, Ken Watanabe, Gong Li, Michelle Yeoh, Koji Yakusho, Mako
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Robin Swicord, Doug Wright
Producer: Steven Spielberg, Roger Birnbaum, Lucy Fisher, Douglas Wick
Composer: John Williams
Studio: Columbia Pictures
Reviews for Memoirs of a Geisha
Shows how a small act of kindness, like a pebble thrown into a pond, can send out many ripples, and transform another's life.
Mother is greedy. Pumpkin is naive. Sayuri is determined. Hatsumomo is angry. Mameha is wise. Etc...
Instead of revealing the inner sanctum of Japan's traditionalist heart, Geisha wades clumsily through a series of beautiful sets, hackneyed plots and stunning costumes.
Though Spielberg once almost took the helm, the picture that we have here indicates that Marshall was the perfect man to bring Arthur Golden's amazing best seller to the screen.
Arthur Golden's international best-seller has been moved to the bigscreen with beauty and tact in Memoirs of a Geisha.
The filmmakers make characters crasser, ignore nuances within geisha tradition and give characters attitudes and dialogue highly unlikely for Depression-era Japan.
This schmaltzy adaptation, a throwback to Hollywood of yesteryear in its simplistic sensibility, is like taking a visual anthropology course, "Geisha 101," that imparts the most basic facts about a geisha's life.
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