It's the perfect cinematic vehicle -- or at least it would have been, if Radford's adaptation weren't so unremittingly cloddish.
William Shakespeare's The Merchant of Venice (2004)
Runtime: 2 hrs 11 mins
Synopsis: One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to... One of the immortal bard's most frequently performed works gets a first-rate cinematic treatment here, via director Michael Radford (IL POSTINO). Al Pacino is virtually unrecognizable as Shylock, bringing an old-world gravitas to the role and clearly inspiring the rest of the cast to match his intensity. They succeed, and the result is riveting, rousing entertainment. Even if one is familiar with the play in advance, this is white-knuckle suspense and swooning romance all the way through. A 16th-century Venetian sea merchant (Jeremy Irons), devoted to a young lord (Joseph Fiennes), owes a debt for "a pound of flesh" to the anguished Jewish moneylender Shylock. Lovingly filmed in Venice, the film looks great, with settings and costumes all sporting a dusky, lived-in look that matches the subdued, naturalistic interpretation of the dialogue. Lynn Collins is excellent and ethereal as Portia, and her love scenes with Fiennes have an alchemical power that lifts them to dizzyingly mythic romantic heights. Vague homoerotic content and the grim realities of Jewish oppression are not shied away from here, which lends the film further richness and complexity. With the play's rich array of dramatic and comedic elements all perfectly in tune, MERCHANT OF VENICE earns its place as the first truly great Shakespeare film of the 21st century. [More]
Genre: Dramas
Starring: Al Pacino, Jeremy Irons, Joseph Fiennes, Zuleikha Robinson, Charlie Cox
Screenwriter: Michael Radford
Producer: Cary Brokaw, Jason Piette, Michael Lionello Cowen, Barry Navidi
Composer: Jocelyn Pook
DVD Info
Release:
Oct 5, 2005
DVD Features:
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital 5.1 - English
- Subtitles - English - Closed Captioning
- Subtitles - French - Optional
Additional Release Material:
- Audio Commentary - 1. Michael Radford - Director, Lynn Collins - Star
- Featurette - 1. Making of THE MERCHANT OF VENICE
- Trailers - 1. Sony Pictures Previews
DVD-ROM:
- Weblinks - Teachers' Guide
Reviews
This is Al Pacino's show, and thankfully his Shylock is absorbing enough to carry the day.
It veers from real conviction to panto, but Radford is clearly committed to the play's relevance, while Pacino, the Shakespeare addict, is a joy to watch.
Radford's gloomy film is a long and slightly draining haul, but the intensity of Al Pacino's central performance justifies the effort required.
Pacino's performance is worth the ticket price alone, but don't expect a film that'll encourage a Shakespearian revival; it's far too uninspired for that.
A well made, beautifully acted film that remains gripping throughout its lengthy running time.
Radford that draws out the cultural context of the period and the emotions in the story.
Pacino is at least dynamic, something harder to say about the women in the cast.
Pacino shapes the role masterfully. He not only rises to the role's extremes of villainous melodrama, he fills them, rendering them both theatrical and believable
It tilts so far in one direction that the comic elements seem to come from another, lesser film.
With a running time of over two hours, I was ready to pay with a pound of my flesh for The Merchant of Venice to close shop already.
Merchant of Venice is such a blatantly anti-Semitic work that a modernization seems imprudent.
Shakespeare needs no special effects or short-sighted novelties. Michael Radford's straightforward telling of The Merchant of Venice does the great play justice.
Radford preserves the mechanics of the plot, but also offers us heroes who are as flawed as the nominal villain, if not more so
Radford’s adaptation admirably captures the inherent and troubling contradictions of the play, and turns them into great, thought-provoking drama.
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