Up there with the Coen brothers' finest work.
Miller's Crossing (1990)
Tomatometer
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Reviews Counted:50
Fresh:45
Rotten:5
Average Rating:8/10
Runtime: 1 hr 55 mins
Genre: Dramas
Synopsis: An Irish gangster (Albert Finney) and his trusted lieutenant (Gabriel Byrne) and counselor find their domination of the town threatened by an ambitious Italian underboss (Jon Polito). Just as this... An Irish gangster (Albert Finney) and his trusted lieutenant (Gabriel Byrne) and counselor find their domination of the town threatened by an ambitious Italian underboss (Jon Polito). Just as this threat erupts, the two sever their friendship when they realize that they love the same woman (Marcia Gay Harden). When one joins ranks with the enemy, a bloody gang war erupts. Violent and compelling work from the Coen brothers. [More]
Starring: Gabriel Byrne, Albert Finney, J.E. Freeman, Marcia Gay Harden
Starring: Gabriel Byrne, Albert Finney, J.E. Freeman, Marcia Gay Harden, John Turturro, Jon Polito, Al Mancini, Richard Woods, Steve Buscemi, Olek Krupa, Michael Jeter
Director: Joel Coen
Director: Joel Coen
Producer: Ethan Coen
Screenwriter: Ethan Coen, Joel Coen
Composer: Carter Burwell
Reviews for Miller's Crossing
There's plenty of snappy plotting and double-crossing around it, with bitter twists and well-delivered, wonderfully literate, hard-nosed dialogue.
It's arguably the US mainstream's first art movie since Days of Heaven; and quite wonderful.
The Coen Brothers certainly know noir. This mob tale shimmers with sparkling dialogue.
Um dos melhores trabalhos dos Coen (e isto é um baita elogio), o filme conta um roteiro muito bem amarrado, atuações intensas e um visual fabuloso.
The Coens play this icy gangster tale mostly straight, but they can't help throwing in a few of their dark, comic explosions; it's one of their best, most cohesive films and it holds up to repeated viewings.
An amazingly entertaining film, loaded with zesty dialogue, gorgeously staged sequences and a bevy of wild characters.
...whether we're supposed to take it as a dark comedy or a straightforward melodrama is up to the viewer. A little of both, maybe. The Coens have always been a little twisted.
Loosley based on Hammett's novel and Chicago's Capone-O'Bannion gang war, the film is more impressive visually than thematically, though new angle of placing Irish, Italian, and Jewish gangsters in the same tale is intriguing.
While Miller's Crossing is not as messy or inspired as Martin Scorsese's GoodFellas, or as richly suggestive as The Godfather, it accomplishes exactly what it sets out to do.
As for that story, it's good enough, but honestly I fail to see what everyone's all worked up about.
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