Turgid twaddle.
The Last Mimzy (2007)
Tomatometer
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Reviews Counted:120
Fresh:64
Rotten:56
Average Rating:5.8/10
Consensus: The Last Mimzy makes efforts to be a fun children's movie, but unsuccessfully juggles too many genres and subplots -- eventually settling as an unfocused, slightly dull affair.
Rated: PG [See Full Rating] for some thematic elements, mild peril and language.
Runtime: 90 mins
Genre: Childrens
Theatrical Release:30-03-2007
Synopsis: Two kids find a bizarre box on the beach and are soon exhibiting signs of off-the-chart genius in this gently mind-blowing fantasy film. Little Emma (Rhiannon Leigh Wryn) finds a cute bunny doll in... Two kids find a bizarre box on the beach and are soon exhibiting signs of off-the-chart genius in this gently mind-blowing fantasy film. Little Emma (Rhiannon Leigh Wryn) finds a cute bunny doll in the box, who talks to her in electronic code, and Noah (Chris O'Neil) learns to speak in a frequency that lets him control spiders. The kids learn to move objects via psychokinesis and communicate telepathically. Naturally, their parents (Timothy Hutton and Joely Richardson) wonder what is going on here. Noah's science teacher (Rainn Wilson) has dreams predicting all this, centered on a mandala symbol from ancient Tibetan Buddhism, which Noah draws in class. Michael Clarke Duncan is suitably dour as the Homeland Security official who investigates when the kids' newfound power creates a major blackout across Seattle. Parents who cringe at the vulgarity of many kid films will certainly appreciate LAST MIMZY's sweet-natured awe towards the natural world and its inhabitants, which comes without extraneous action or excessive musical bombast. The film moves with a poetic grace, calling attention to environmental and social problems without preaching, and creating the possibility for a genuinely better world. The child actors are real naturals who are allowed to talk and sound like kids, and car chases and explosions are all but absent in place of genuine mystery and excitement about human potential. It's rare to find a sci-fi film that makes the future seem worth saving, so consider this one a true gem. [More]
Starring: Timothy Hutton, Chris O'Neil, Rainn Wilson, Patrick Gilmore
Starring: Timothy Hutton, Chris O'Neil, Rainn Wilson, Patrick Gilmore, Joely Richardson, Michael Clarke Duncan, Rhiannon Leigh Wryn, Kathryn Hahn
Director: Bob Shaye
Director: Bob Shaye
Screenwriter: Bruce Joel Rubin, Toby Emmerich
Producer: Michael Phillips
Composer: Howard Shore
Studio: New Line Cinema
Reviews for The Last Mimzy
Despite its attempt at being well-meaning family genre fare a la E.T., The Last Mimzy simply collapses under the considerable weight of its many bewildering plot elements.
Please enjoy this with your family and consider renting this when it comes out.
Perhaps those futuristic folks could send another Mimzy back in time to a better filmmaker like Joe Dante, who can do a better film adaptation of Padgett's story and beat Shaye to the punch.
New Line powerbroker/director Robert Shaye has made a children's film for stoners, a trippy, psychedelic fable that belongs in the DVD section of New Age bookstores alongside the strangely similar What The Fuck Do We Know?
Unlike E.T., Mimzy isn't wrinkly or strange or even very mobile, nothing that might frighten the All-American youngsters who discover her on a beach near Seattle.
The flimsy story benefits from strong performance by the adults and an adorable one by Wryn. A cute kid can cover for a multitude of structural flaws.
It’s refreshing to be reminded that an intelligent, exciting family movie isn’t always an oxymoron.
Shaye’s direction of The Last Mimzy is bland and undistinguished and assures his continued reign as a film executive.
Sweet, smart, and tender: you can’t say that about too many science-fiction movies.
The Last Mimzy's flight of fantasy sputters as the story's potential fails to reach any magical points.
A rare film told from a child's point of view that treats children with respect.
Special effects are sweet & stirring without taking over the film. A warm fuzzy mysteriousness. However, script could use some maturing & the film is rough around the edges.
The Last Mimzy falls short of its expectations to grasp the aura of an escapist kiddie flick that distinctively startles and probes.
Roger Waters' song is ultimately the work of a sell-out desperately trying to sound like a profound hippie prophet. As it happens, so is The Last Mimzy.
The Last Mimzy is that phenomenon as welcome as the first robin of spring, a kids' movie that is more than bearable for adults.
The script runs through the clichéd paces..., but with enough good humor and warmth to make this trip worth the ride.
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