...an unfortunate example of what happens when a once-popular actress is staring at the downside of her career
Miss Congeniality 2: Armed and Fabulous (2005)
Tomatometer
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Reviews Counted:144
Fresh:20
Rotten:124
Average Rating:3.9/10
Consensus: Sandra Bullock is still as appealing as ever; too bad the movie is not pageant material.
Runtime: 1 hr 55 mins
Genre: Comedies
Synopsis: Picking up soon after the events of the first film, this inspired sequel opens with agent Gracie Hart (Sandra Bullock) back in action against a team of lady bank robbers, only to have her cover... Picking up soon after the events of the first film, this inspired sequel opens with agent Gracie Hart (Sandra Bullock) back in action against a team of lady bank robbers, only to have her cover blown by her newfound fame. In an effort to capitalize on the publicity--and as a result of being dumped by her boyfriend from the first film--Gracie lets herself be made into the feel-good ambassador of the FBI, helped by the staggeringly hip Joel (Dietrich Bader) and his stylists. The change is not good for the brash Ms. Hart, however, who is soon appearing on morning television and dispensing fashion tips instead of girl-power platitudes. Of course this phase doesn't last long; some goons out in Las Vegas kidnap Miss Congeniality (Heather Burns) and host Stan Fields (William Shatner), prompting Hart, with her intensely angry bodyguard, Sam Fuller (Regina King), to strap on her guns and get back in the game. Her method of operation includes beating up Dolly Parton, defying a sexist FBI bigwig (Treat Williams), and faking cramps. At one point she disguises herself as an old Jewish woman in a wheelchair, and later she's a Las Vegas showgirl doing "Proud Mary" at a drag club. Bullock's good-natured performance recalls the old-school comedic talents of Bob Hope or Barbara Stanwyck; she effortlessly makes Gracie Hart a unique and complex woman who is capable, sarcastic, intuitive, impressionable, and a secretly lonely tomboy. Also a plus is the refreshing lack of a male romantic interest as Hart and Fuller don't need some handsome guy to ride to their rescue and they aren't going to let sexual discrimination stop them from getting the job done. [More]
Starring: Sandra Bullock, Regina King, Enrique Murciano, William Shatner
Starring: Sandra Bullock, Regina King, Enrique Murciano, William Shatner, Ernie Hudson, Heather Burns, Diedrich Bader, Treat Williams
Director: John Pasquin
Director: John Pasquin
Screenwriter: Marc Lawrence
Producer: Sandra Bullock, Marc Lawrence
Composer: Randy Edelman
Studio: Warner Bros.
Reviews for Miss Congeniality 2: Armed and Fabulous
Miss Congeniality 2 is one of those sequels that gives sequels a bad name.
O filme claramente ressente a ausência de Michael Caine. (...) Sandra Bullock é uma gracinha, mas não faz milagres.
Nothing more than warmed-up leftovers, a boring and malformed vehicle for an (admittedly very likable) actress who simply can't find anything better to do in Hollywood.
Sometimes, a movie is so abhorrent it’s difficult to think of the appropriate words. When I do, I can’t print them here.
The subtitle of the film is Armed and Fabulous. I can think of more appropriate words to use. Awful and Forgettable? Atrocious and Foul?
Many bad movies at least make an effort; this one is content to simply lay there, like a fat tick gorged on the blood of complacent moviegoers.
What were the filmmakers thinking? I mean, what besides making a second trip to the barn to milk the $300 million cash cow that was Miss Congeniality?
Sure, "Armed and Fabulous" would like to be considered absolutely fabulous, but "Armed with a Few Laughs" comes closer to the mark. "Amputated by a Weak Script" nails it.
Shatner's forced presence, meanwhile, should have been lost in space.
From its paper-thin plot to the utterly flat script, virtually nothing works.
Whenever the script's writers can't come up with a funny line for her to say or a comic way to conclude a scene, they have Bullock drop or bump into something. That is, when they don't have her fall down.
Any sequel to Miss Congeniality is uncalled for, but it didn’t have to be this staggeringly awful.
Somehow manages to fail to live up to the memory of a film that wasn’t much to begin with.
Bullock lifts an ill conceived screenplay into an area of some appeal. A valiant effort is one kind of recommendation; her overriding huggability another.
As a transparent sequel, this flaccid follow-up has all the creative stability and comic support of a defective high heel shoe.
This, to me, is a classic example of a sequel that was just made because the first one made money. I didn’t even like the first one.
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