Watching this horrifically twee film is like having your face pushed into a bowl of pot-pourri for 90 minutes in a two-star B&B somewhere in Cumbria.
Miss Potter (2006)
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Reviews Counted:120
Fresh:79
Rotten:41
Average Rating:6.2/10
Consensus: A charming biopic with that maintains its sweetness even in sadder moments.
Theatrical Release:05-01-2007
Synopsis: Beatrix Potter has delighted generations of children with her books. But she kept her own private life locked carefully away. Oscar-winning star Renee Zellweger is now bringing her secret story to... Beatrix Potter has delighted generations of children with her books. But she kept her own private life locked carefully away. Oscar-winning star Renee Zellweger is now bringing her secret story to the screen in "Miss Potter," the first film directed by Chris Noonan since his charming 1995 movie, Babe. It is set in the high summer days of late Victorian and Edwardian England, during which Beatrix develops her natural skills as artist and story-teller. When she finally publishes her debut book, The Tale of Peter Rabbit, she becomes a writing celebrity. It also leads to courtship and her first love with publisher Norman Warne, played by Ewan McGregor. Their relationship and his marriage proposal in July, 1905, was to change Beatrix's life for ever. It was a love which she could not announce - or even talk about. In high-society London, her parents had insisted she keep it from friends and neighbours. They considered her proposed wedding a mismatch. Warne, they said, was from ‘trade' and demanded that she carefully reconsider their life together. Beatrix allowed herself to be persuaded to leave her fiancé and London. It was supposed to be a time for reflection and calm. But, instead, she faced tragedy and loneliness and returned, with a different outlook. She became a woman of strong views and independence. She also built up a farming dynasty in the Lake District - a dynasty over which she took charge long after her writing career virtually ended in 1913. It established her as a woman ahead of her time. Despite becoming the world's most successful children's writer and a wealthy landowner and prize-winning farmer, she never forgot her first love. -- © Weinstein Co. [More]
Starring: Renée Zellweger, Emily Watson, Ewan McGregor, Lloyd Owen
Starring: Renée Zellweger, Emily Watson, Ewan McGregor, Lloyd Owen
Director: Chris Noonan
Director: Chris Noonan
Producer: Mike Medavoy, David Thwaites, Arnold Messer, Corey Sienega
Composer: Nigel Westlake
Studio: Weinstein Company
Reviews for Miss Potter
It's worthy and beautifully produced, but it feels like a fantasy rather than the truth.
Pitched awkwardly -- neither for children nor cool young adults -- it’s very sweet, very nice and just the thing for a girlie matinée with mum and nan.
Its old-fashioned sincerity ultimately proves disarming. Sweet but not cloying, it’s a heartening portrait of goodness surmounting the odds.
The film is a guaranteed tearjerker, but more than that, an uplifting tribute to a single woman's quest for independence that would surely make Bridget Jones blush.
This is an odd film in many ways, but the romantic scenes work brilliantly, thanks to McGregor's genuinely charming performance.
Beautiful, gentile, and oh-so-quaint, but utterly pointless and terminally boring. Zellweger's performance is both strange and misguided.
About halfway through the film, however, it becomes obvious that Miss Potter is lacking a key element of good drama: conflict.
Starts badly and ends badly, but a good, solid hour in the middle is as charming as anything you'll see this holiday season.
A bit paint-by-numbers, not to torture a pun out of all this, but when the story of Beatrix Potter, spinster book author and happenstance feminist, eventually does take shape, it is an emotionally and even politically potent story.
The trailers slant this film as a family adventure despite the fact that it's really more of a traditional live action love story with a dash of animation accents.
Renee Zellweger's pretentious and unconvincing portrayal of Beatrix Potter doesn't help much to endear the viewer to the artist.
If a sorcerer could raise Benjamin Bunny and Flopsy Rabbit from the pages of Potter's books and transform them into human females, the creatures likely would favor Renee Zellweger.
The love story is beautifully constructed. There's some sentimentality here, but [director Chris] Noonan is careful not to take it too far and to avoid overplaying the audience's emotional chords.
Miss Potter is as seamless, comfortable and tidy as a Peter Rabbit story, all scones and biscuits, quietly punctuated by tolerable naughtiness.
Miss Potter vividly paints the picture of an inspirational woman who created lovely childhood memories of bedtime stories...
This is an earnest and rather sweet film, and one that will vanish from your mind as soon as the final credits roll. You could bring the children, who might like to know a little bit about the woman who created Peter Rabbit.
A straight-laced fairy tale-style biopic appropriate to the audience for which its message of inspiration is finely attuned.
Even a third-act tragedy can't taint the picture's perpetual cheeriness -- which works fine when Miss Potter functions as a wholesome family film and not so well when it strives for some measure of dramatic heft.
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