Sometimes sentimental yet highly comical, Chaplin's anti-industrialisation statement is wholly idealistic but its topical reflection on industrial paranoia still resonates today.
Modern Times (1936)
Runtime: 1 hr 43 mins
Synopsis: Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all his employees via a big-brother TV monitor). When he meets and falls in love with an orphaned street... Charlie Chaplin bid farewell to silent comedy with this funny and poignant masterpiece. Here Chaplin stars as a factory worker fed-up with the job and his tyrannical boss (who keeps an eye on all his employees via a big-brother TV monitor). When he meets and falls in love with an orphaned street waif, the two dream of a nice suburban existence...but the cops are never far behind, chasing the vagabond couple. [More]
Genre: Comedies
Starring: Charlie Chaplin, Paulette Goddard, Henry Bergman, Chester Conklin, Tiny Sandford
Producer: Charlie Chaplin
Screenwriter: Charlie Chaplin
Composer: Charlie Chaplin, Alfred Newman
DVD Info
Release:
Oct 7, 2003
DVD Features:
- Region 1
- 2-Disc Set
Additional Release Material:
- Behind the Scenes Footage
- Documentaries.
Additional Products:
- Booklet - Text by Chaplin Biographer Jeffrey Vance
- Senitype - Limited-edition Image from the Film
Reviews
Chaplin's political and philosophical naivety now seems as remarkable as his gift for pantomime.
One of the many remarkable things about Charlie Chaplin is that his films continue to hold up, to attract and delight audiences.
The picture is grand fun and sound entertainment, though silent. It's the old Chaplin at his best, looking at his best -- young, pathetic and a very funny guy.
It's the coldest of [Chaplin's] major features, though no less brilliant for it.
The opening sequence in Chaplin's second Depression masterpiece, of the Tramp on the assembly line, is possibly his greatest slapstick encounter with the 20th century.
What we have is not just a story about a funny little man, but a morality fable, or cautionary tale, about people on the chuckholed road to the American Dream.
Do you have to be reminded that Chaplin is a master of pantomime? Time has not changed his genius.
An artist with vision swimming against a tide we know will eventually win.
Chaplin's last silent and the last time he uses his signature character of the Little Tramp.
Good physical comedy will always be funny, and Chaplin was a master.
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