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The Moderns

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The Moderns (1988)

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73 %
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Reviews Counted: 15

Fresh: 11

Rotten:4

Average Rating: 6.1/10

Runtime: 2 hrs 6 mins

Genre: Comedies

Synopsis: Director-screenwriter Alan Rudolph turns his eye on 1926 Paris for this elegant, wry film. Keith Carradine and Linda Fiorentino star as Nick and Rachel, former lovers who reunite amid the artist-packed cafes and salons. He's a painter... Director-screenwriter Alan Rudolph turns his eye on 1926 Paris for this elegant, wry film. Keith Carradine and Linda Fiorentino star as Nick and Rachel, former lovers who reunite amid the artist-packed cafes and salons. He's a painter hanging out with pals Ernest Hemingway (Kevin J. O'Connor) and gossip Oiseu (Wallace Shawn). She's an alcoholic trapped in a loveless marriage to bullying businessman and art collector Bertram Stone (John Lone). As he and Rachel yell, drink, and fall back in love, Nick also finds himself in a scheme to forge some classic works by Cezanne, Modigliani, and Matisse, leading to incredible complications when Rachel's husband buys them. Freely working with a cast that mixes real and fictitious characters, Rudolph finds a lot to say about art, love, commerce, and the birth of modernity. Lush photography and fine performances, particularly those of Lone, O'Connor, and Geneviève Bujold as Nick's art dealer, make this a fond and loving artistic tribute to a time that still reverberates today with its unheralded creative impact. [More]

Starring: Keith Carradine, John Lone, Linda Fiorentino, Geneviève Bujold

Starring: Keith Carradine, John Lone, Linda Fiorentino, Geneviève Bujold, Wallace Shawn

Director: Alan Rudolph

Director: Alan Rudolph

[See More Credits]

Reviews for The Moderns

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1 - 18 (sorted by date; UK critics are listed first)
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N/R

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Full Review Source: Time Out | comment Comment
06/24/06
Derek Adams
Time Out
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N/R

Click to read the article

Full Review Source: Channel 4 Film | comment Comment
05/24/03
Channel 4 Film
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Ratings Image

A casually absurd, surprisingly playful look into the lives of American expatriates --Gertrude Stein's famous "lost generation" -- in post-World War I Paris.

Full Review Source: Mountain Xpress (Asheville, NC) | comment Comment
04/25/07
Ken Hanke
Mountain Xpress (Asheville, NC)
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No review available.

comment Comment
07/16/05
Emanuel Levy
EmanuelLevy.Com
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Fascinating film about painters in 1920's Paris

comment Comment
12/13/04
Michael E. Grost
Classic Film and Television
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Will appeal to fans of Alan Rudolph's distinctive story-telling abilities.

Full Review Source: Spirituality and Practice | comment Comment
08/28/04
Frederic and Mary Ann Brussat
Spirituality and Practice
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No review available.

comment Comment
03/12/04
Daniel M. Kimmel
Worcester Telegram & Gazette
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A movie that makes an afternoon with Gertrude and Alice more boring than a faculty tea.

Full Review Source: New York Times | comment Comment
08/04/03
Vincent Canby
New York Times
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Full Review Source: TV Guide's Movie Guide | comment Comment
07/30/03
TV Guide's Movie Guide
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No review available.

comment Comment
07/03/03
Walter Chaw
Film Freak Central
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No review available.

comment Comment
12/30/02
Philip Martin
Arkansas Democrat-Gazette
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Click to read the article

Full Review Source: Apollo Guide | comment Comment
11/19/02
Derek Smith
Apollo Guide
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No review available.

comment Comment
07/26/02
David Poland
Hot Button
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The plot of the film concerns love, heartbreak, money problems, the meaning of art, alcoholism and finding one's identity.

Full Review Source: Ozus' World Movie Reviews | comment Comment
01/01/00
Dennis Schwartz
Ozus' World Movie Reviews
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Rudolph's weaknesses pale before the film's overriding textures: Toyomichi Kurita's cinematography exquisitely crosses color with sepia and blacks and whites.

Full Review Source: Washington Post | comment Comment
01/01/00
Desson Thomson
Washington Post
N/R

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Full Review Source: Chicago Reader | comment Comment
01/01/00
Jonathan Rosenbaum
Chicago Reader
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Everything is ersatz, even the surrealism in Alan Rudolph's 10th movie.

Full Review Source: Washington Post | comment Comment
01/01/00
Rita Kempley
Washington Post
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It takes place at that enchanted moment in Paris when the Lost Generation created itself and then proceeded to create, promote, fabricate and publicize modern literature, art, music and attitudes.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Chicago Sun-Times
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1 - 18 (sorted by date; UK critics are listed first)
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