Transports us to the faraway past and an exotic place where a legendary warrior is forged into a fierce leader through suffering and hardship.
Mongol (2008)
Tomatometer
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Reviews Counted:98
Fresh:85
Rotten:13
Average Rating:7.1/10
Consensus: The sweeping Mongol mixes romance, family drama, and enough flesh-ripping battle scenes to make sense of Ghenghis Khan's legendary stature.
Theatrical Release:06-06-2008
Synopsis:
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly...
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the dramatic and harrowing early years of the ruler who was born as Temudgin in 1162. As it follows Temudgin from his perilous childhood to the battle that sealed his destiny, the film paints a multidimensional portrait of the future conqueror, revealing him not as the evil brute of hoary stereotype, but as an inspiring, fearless and visionary leader. Mongol shows us the making of an extraordinary man, and the foundation on which so much of his greatness rested: his relationship with his wife, Borte, his lifelong love and most trusted advisor.
Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us back to a distant and exotic period in world history; to a nomad's landscape of endless space, climatic extremes and ever-present danger. In a performance of powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu (Zatoichi, Last Life in the Universe) captures the inner fire that enabled a hunted boy to become a legendary conqueror. Asano's achievement is matched by those of his co-stars, including the radiant newcomer Khulan Chuluun as Temudgin's courageous, spirited wife Borte, and the Chinese actor Honglei Sun (The Road Home) as the Mongol chieftain Jamukha, Temudgin's dearest friend and deadliest enemy. Masterfully blending action and emotion against some of the most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring tale of survival and triumph, and a love story for the ages.
--© Picturehouse
[More]
Starring: Tadanobu Asano, Honglei Sun, Khulan Chuluun, Odnyam Odsuren
Starring: Tadanobu Asano, Honglei Sun, Khulan Chuluun, Odnyam Odsuren, Aliy A, Ba Sen, Amadu Mamadakov, Ba Yin, He Qi, Sun Ben Hou, Ji Ri Mu Tu
Director: Sergei Bodrov
Director: Sergei Bodrov
Screenwriter: Arif Aliyev, Sergei Bodrov
Producer: Sergey Selyanov, Sergei Bodrov, Anton Melnik
Composer: Tuomas Kantelinen
Studio: Picturehouse
Reviews for Mongol
Mongol is a big, ponderous epic, its beautifully composed landscape shots punctuated by thundering hooves and bloody, slow-motion battle sequences.
For a motion picture about man who changed the world on his own terms, one would think his life story would be a riveting experience, not something that requires a pot of coffee and occasional magazine breaks to enjoy.
The picture's bravura style makes for an intriguingly exotic adventure only occasionally hobbled by the finicky mode of storytelling.
There's never enough detail to make these historical figures come to life in a compelling way.
With overwhelmingly beautiful cinematography on location, this is as good as any thriller and also a sweet love story...the best of film, one that entertains and educates.
While fur-clad pillaging sounds fun enough, a Crouching Tiger–style ponderousness hollows out this largely Russian-produced dud.
While his film's historical accuracy might sometimes be questionable, Bodrov has created a spectacular film filled with all-natural beauty from the realistic locations, one that brings forth the man within the fabled barbarian
For anyone even slightly interested in Mongolian history or in the life of the man who would conquer a fifth of the Earth's landmass, "Mongol" is a movie that demands repeated screenings.
shows a merging of the random vagaries of time with the divine machinery of myth, to create a truly rounded picture of the factors that can turn a flesh-and-blood individual into a living legend on the very crest of history.
Bodrov whips up enough wild, unruly energy and, in his depiction of sex as a Mongolian female's most vital commodity, sociological scraps to help overshadow the somewhat cheesy dubiousness of his myth-making project.
More impressed with its own olden days ready-to-rumble, flesh-ripping Far Eastern beatdowns, than fleshing out with any depth just who these characters were and how they struggled to exist back then. History as a scenic but dramatically sparse travelogue.
Good battle scenes across a Montana-like plains, impressive acting in the title role by a Japanese performer speaking Mongolian.
Sometimes it works, sometimes it falls flat, a lot of the time it feels like it's four hours long.
The film earns our attention and respect the way fictional movies do: by crafting a well-told, entertaining story.
Arguably Bodrov's biggest, most accomplished film, Mongol is everything that Oliver Stone's Alexander was not: sumputuously mounted, beautifully acted, and illuminating in historical yet accessible terms the tumultuous life of the legendary warrior.
Latest News for Mongol
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October 22, 2008:
More impressed with its own olden days ready-to-rumble, flesh-ripping Far Eastern beatdowns, than fleshing out with any depth just who these characters were and how they struggled to exist back then. History as a scenic but dramatically sparse travelogue. ![]()
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