Oscar caliber cast doesn't live up to material
Moonlight Mile (2002)
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Reviews Counted:139
Fresh:89
Rotten:50
Average Rating:6.5/10
Consensus: Though the story feels rather contrived, Moonlight Mile is redeemed by the good performances of its cast.
Runtime: 1 hr 57 mins
Genre: Dramas
Synopsis: Starring Jake Gyllenhaal, Dustin Hoffman, and Susan Sarandon, MOONLIGHT MILE is a romantic drama set in 1966. Joe (Gyllenhaal) is grieving over the death of his fiancee, Diana, and is living with... Starring Jake Gyllenhaal, Dustin Hoffman, and Susan Sarandon, MOONLIGHT MILE is a romantic drama set in 1966. Joe (Gyllenhaal) is grieving over the death of his fiancee, Diana, and is living with her parents, Ben (Hoffman) and JoJo (Sarandon). Though Joe just wants to do what's right, he openly admits that he has no plan, no answers, and needs time to sort things out. Meanwhile, Ben and JoJo cling to him as their only hope after losing their daughter, and the rest of the world expects him to bounce back into dating without a moment's pause. Joe's awkwardness and unquenchable efforts to be helpful provide for some touching and softly comedic moments. The New England setting of the film, the '60s cars and clothes, and the excellent soundtrack (Sly & The Family Stone, T-Rex, Bob Dylan) provide enough atmosphere to move this emotional story right along. But it isn't until Joe meets another woman (Ellen Pompeo), who also lost someone she loved, that he regains hope and begins to be true to himself and to the people around him. [More]
Starring: Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Holly Hunter
Starring: Jake Gyllenhaal, Dustin Hoffman, Susan Sarandon, Holly Hunter, Ellen Pompeo, Dabney Coleman, Allan Corduner, Richard T. Jones, Aleksia Landeau
Director: Brad Silberling
Director: Brad Silberling
Screenwriter: Brad Silberling
Producer: Mark Johnson, Brad Silberling
Composer: Mark Isham
Studio: Touchstone Pictures
Reviews for Moonlight Mile
This bittersweet meditation on love, loss, grieving and moving on weaves two narrative threads: 1) dealing with grief, and 2) living a lie - the first more effectively than the second - with aching, affecting, illusion-shattering moments for Sarandon, Hof
Sensitive, human drama about grief and moving on gives two great actors a chance to soar -- and shows a fresh side to a newer talent.
Moonlight Mile doesn't quite go the distance but the cast is impressive and they all give life to these broken characters who are trying to make their way through this tragedy.
[Not] a scrupulously realistic representation of what grieving is really like [but] an honest depiction of real emotions and relationships and personalities.
Dustin Hoffman, Susan Sarandon and Jake Gyllenhaal anchor a dazzling true-life comedy that might be the funniest movie about grief ever made.
Though its conclusion is too tidily therapeutic, and though elements of its story strain credibility, Moonlight Mile has an understated, lived-in quality and a wry, unforced sense of the absurd.
What's on screen is too honest and from the heart to totally dismiss but too slick and contrived to completely embrace. This is a film that cares about genuine emotion but also wants to tame it, to tidy it up and keep it confined to quarters.
Mostly honest, this somber picture reveals itself slowly, intelligently, artfully.
Glossy, good-looking and well-produced, it affects you and even sometimes moves you, but it doesn't really convincingly connect.
A bittersweet drama about the limbo of grief and how truth-telling can open the door to liberation.
To a really shocking degree, this film has absolutely no feel for its time period.
This is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors.
The journey is worth your time, especially if you have Ellen Pompeo sitting next to you for the ride.
Since Silberling withholds so much information in [it], he doesn’t come any closer to the truth than if he had set hankies in motion with the most melodramatic scenario possible. The film becomes a manipulation of a different, more insidious sort.
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