The humor is soft, the dramas are small, and the movie stumbles from loose and scruffy naturalism to sitcom tidiness.
Motherhood (2009)
Tomatometer
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Reviews Counted:31
Fresh:8
Rotten:23
Average Rating:4/10
Consensus: Despite Uma Thurman's comic skills, Motherhood's contrived set-ups and cliched jokes keep this comedy from delivering laughs -- or insights into modern parenting.
Genre: Comedies
Synopsis: Shot entirely on location in New York’s West Village, MOTHERHOOD is a comedy distilling the dilemmas of the maternal state into the trials and tribulations of one pivotal day. MOTHERHOOD forms a... Shot entirely on location in New York’s West Village, MOTHERHOOD is a comedy distilling the dilemmas of the maternal state into the trials and tribulations of one pivotal day. MOTHERHOOD forms a genre of one – no other movie has dedicated itself in quite this way to probing exactly what it takes to be a mother, with both humor and authenticity. MOTHERHOOD, a funny and poignant look at the daily challenges mothers everywhere face, is a hymn to the trials and joys of raising children and the necessity of not losing yourself in the process. --© Freestyle [More]
Starring: Uma Thurman, Anthony Edwards, Minnie Driver, Samantha Bee
Starring: Uma Thurman, Anthony Edwards, Minnie Driver, Samantha Bee
Director: Katherine Dieckmann
Director: Katherine Dieckmann
Screenwriter: Katherine Dieckmann
Studio: Freestyle Releasing
Reviews for Motherhood
What Eliza writes, like Motherhood itself, feels like a stale collection of harried-parent material that the bland comedy duo The Mommies milked dry more than a decade ago.
It scares straight any wishful daydreams about parenting, living in Manhattan and even looking like Uma Thurman.
Director Katherine Dieckmann, who demonstrated some natural comic rhythms and efficiency with actors in Diggers, is here unable to surmount the sitcom dreariness of her first original screenplay, apparently a "write-what-you-know" misjudgment.
Misguided, cluttered, annoying mess of a dramedy, a film only moderately redeemed by the still-luminous Thurman, but even she is dragged down by a truly awful screenplay. Mothers still get no respect.
gets stuck in the starting gate, unsure of what kind of film it wants to be.
[Motherhood] not only overdoes its premise, but it's hampered by several flaws. When it tries to be serious, it's too earnest, and when it tries to strike a chord, it's banal.
Too bad the writing didn't include (Thurman) lopping off people's heads, sort of a sequel to her "Kill Bill" roles. Now 90 minutes of that could be entertaining.
If Ms. Dieckmann really thinks that people communicate as inanely as she has written this script, then we are all doomed.
The film treats the responsibilities of parenthood like another film would treat cancer, as a dream-killing condition to be endured until it passes or kills you. As a contraceptive device, that works brilliantly.
If Carrie Bradshaw ever trades her Manolos for sneakers and starts blogging about raising children, I pray she wouldn't be as tiresome as the heroine of Katherine Dieckmann's insufferable comedy Motherhood.
The lesson, I guess, is that it really sucks being a mom, but it's also incredibly unrewarding.
In a few brief moments, Thurman's Eliza springs to life... but it's not Thurman's fault that those moments are few and far between.
So focuses on Eliza's need to look out for number one that [the film] obscures the reasons people become parents, winding up with a movie light on love and heavy on narcissism.
Dieckmann nails the look of a certain niche of urban neo-middle-class living, but the film's hyper-earnest tone and reliance on "day-from-hell" New York clichés overwhelm those details.
A portrait of parenthood that’s apt to turn one into an ardent advocate of contraception, Motherhood portrays such shrill, mopey and all-around unpleasant adults that it’s hard to believe any of them found procreative partners.
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