This story must have been much more comfortable and rewarding to read on paper than it is to watch on screen.
The Mudge Boy (2004)
Tomatometer
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Reviews Counted:26
Fresh:20
Rotten:6
Average Rating:6.4/10
Runtime: 1 hr 34 mins
Genre: Dramas
Synopsis: This disturbing drama, showcased at Sundance 2003, stars Emile Hirsch (THE GIRL NEXT DOOR) as Duncan Mudge. A troubled teenager, he struggles both to relate to his father (Richard Jenkins) after... This disturbing drama, showcased at Sundance 2003, stars Emile Hirsch (THE GIRL NEXT DOOR) as Duncan Mudge. A troubled teenager, he struggles both to relate to his father (Richard Jenkins) after his mother's death, and to accept his homosexuality after developing a crush on Perry (Tom Guiry), a macho neighbor. Clearly suffering, Duncan falls into a world of his own, becoming more and more detached from his emotionally distant father. Duncan takes to putting the head of his pet chicken in his mouth, which seems to calm him more than the chicken. In addition to this odd behavior, he begins to wear his mother's clothing. Inevitably, his father discovers his secrets, and halfheartedly tries to set him straight. In the process, however, Duncan falls in with a wild group, including his crush Perry, who only wants to use him. Duncan's growing attachment to Perry, however, leads both boys to a tumultuous, horrifying, but ultimately cathartic climax. Director and writer Michael Burke creates a sympathetic misfit in Duncan. Aside from struggling with his sexual orientation, Duncan struggles merely to have a normal conversation with those around him. Small details enhance his innocent strangeness, from his short-sleeved dress shirts and too-short polyester pants to his excruciating singing in church. The final result is a portrait of a young man in pain, grieving over his mother's death, his father's lack of emotion, and his own inner hatred. [More]
Starring: Emile Hirsch, Richard Jenkins, Thomas Guiry, Pablo Schreiber
Starring: Emile Hirsch, Richard Jenkins, Thomas Guiry, Pablo Schreiber, Zachary Knighton, Ryan Donowho, Meredith Handerhan, Beckie King
Director: Michael Burke
Director: Michael Burke
Screenwriter: Michael Burke
Studio: Strand Releasing
Reviews for The Mudge Boy
A film that's every bit as odd, unique, and unnerving as its title character.
It may seem like just another movie about a boy and his father and the chicken that comes between them, but there's a heart-touching story underneath all the feathers.
The Mudge Boy is odd and intense, very well acted, and impossible to dismiss.
Because the camera so closely follows Duncan -- there's scarcely a scene he's off-frame; his awkwardness is bold and unapologetic -- he sticks close to our sympathies.
Pitch-perfect performances and eloquent cinematography together create a richly textured portrait.
You can hardly fault the details, the resonant silences, the sudden gushers of pent-up feeling.
Cruelty is both the subject and the style of The Mudge Boy, an independent film with surely one of the least commercial titles in film history.
Treads a well-traveled road and needs more than a chicken to be distinctive -- it needs a sense of transcendence, a reason to endure its sadness.
Like a sturdy, well-observed short story, its narrative pieces put together with a plain elegance.
The film projects a shy modesty, a virtue largely attributable to Emile Hirsch's unflashy performance as the titular 14-year-old farm boy.
But really, what can we make of an oddball farm kid who comforts himself by dressing in his late mama's clothes and likes to pop the head of his live pet chicken into his mouth -- to soothe both himself and the flustered fowl?
A little picture -- the names of the entire cast would fit on half a sheet of paper -- but it’s more heartfelt than movies with 50 times the budget.
Unsettling and mildly shocking at times, this is an adolescent tale of the sort one might expect from Flannery O'Connor or Paul Bowles if they were in the business of coming-of-age dramas.
The seriousness is too often undercut by plot turns that are unintentionally risible...Hirsch and Jenkins are certainly the chief reasons to see it.
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