Right from the beginning, there's a discomforting sense of banality blanketing the film: the journey, the pie motif, the faith in "new beginnings."
My Blueberry Nights (2008)
Tomatometer
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Reviews Counted:115
Fresh:56
Rotten:59
Average Rating:5.5/10
Consensus: Though well filmed, My Blueberry Nights is a mixed bag of dedicated performers working with thin material.
Theatrical Release:22-02-2008
Synopsis: With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS... With his first English-language film, beloved Hong Kong director Wong Kar-wai's touch loses none of the seductive luster and magic that made his Chinese films so popular. MY BLUEBERRY NIGHTS follows the fortunes of Elizabeth (Norah Jones), who after having been left by her boyfriend, sets out across America to find herself and recover. She makes a stop in Memphis, where she pulls double-duty at a diner by day and a bar at night, and watches the disintegration of another pair of troubled lovers (David Strathairn and Rachel Weisz). She moves on to Nevada where she befriends a vivacious card player and smalltime hustler (a delightfully saucy Natalie Portman) who challenges her notions of contentment. However, it is New York City and the arms of an English café owner (Jude Law) for which Elizabeth's heart truly longs and ultimately returns. While MY BLUEBERRY NIGHTS isn't Wong's best film--as it suffers from some clunky, heavy-handed dialogue and some frustratingly broad performances--it still contains all of the hallmarks of his aesthetic, and is therefore hard not to fall for. The film is undeniably beautiful, and features the director's trademark visual sense: shimmering neons, lush chiaroscuro, and swirling slow-motion images. It makes for a seductive view of America, one populated by swaggering, yet deeply melancholic drifters that listen to Otis Redding and Ruth Brown, drink too much, and love even more. The sadness and tears that emerge from America's taverns in the wee hours are as breathtakingly alluring as its natural landscapes. In Wong's hands, everything is cast in the light of joy-life and death, suffering and happiness-and the same goes for his understanding of America. Whether this America ever existed is wholly irrelevant; for when you watch a Wong movie, you happily enter his country, wherever that may be. [More]
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman
Starring: Norah Jones, Jude Law, David Strathairn, Natalie Portman, Rachel Weisz
Director: Wong Kar-Wai
Director: Wong Kar-Wai
Screenwriter: Wong Kar-Wai, Lawrence Block
Story: Wong Kar-Wai
Producer: Wong Kar-Wai, Jacky Pang Yee Wah
Composer: Ry Cooder
Studio: Weinstein Company
Reviews for My Blueberry Nights
My Blueberry Nights is like a short film that goes on for too long. It is a flimsy, if inoffensive, addition to Wong Kar Wai's canon, an insignificant diversion at best.
A movie for those of us who have wanted to see Wong Kar Wai's talents applied to storytelling rather than abstraction.
My Blueberry Nights feels like an abundantly attractive travelogue, the work of an artist who's passing through rather than taking up residence.
mostly a success, though set apart from Wong's previous work in that it won't have people coming back over and over again
Despite its flaws, the film has the same dreamy, romantic melancholy that distinguishes Wong's best films.
Instead of focusing on the carcass of love gone bad, the film is merely the flies buzzing around it, wallowing in sadness with little to do or say.
One hopes that, having possibly purged his romanticized preconceptions about the U.S., Wong comes back sometime, gets comfortable with his setting, and forges a unique vision.
All of these groaner developments, coscripted by Wong and crime novelist Lawrence Block, feel like a tour of the waxiest 1990s clichés ever.
Here [Wong's] found-art sets appear cluttered, his still-life tableaus clichéd and his beauty-shot close-ups unglamorous.
My Blueberry Nights hints that buried in Wong's spicy odd noodlings may be an even better conventional filmmaker.
In My Blueberry Nights, Wong Kar-wai’s first American-set, English-language film -- and his first feature shot on video -- the Hong Kong filmmaker has achieved a ravishing, triple triumph.
Since it began shooting in June 2006, it’s been on the shelf ever since, and you’ll instantly know why. It’s like watching ice melt.
Fortunately, Mr. Wong has made the perilous journey into a new language without sacrificing his artistic soul and very personal visual style.
The movie is all over the map in more than just its cross-country itinerary, and these stars are all far too good looking to imagine them as unrequited lovers and perpetual losers. But that blueberry pie sure looks awfully good.
The disappointment here doesn't have much to do with Wong doing America -- he's been doing America for years, even in Chinese -- but with Wong doing Wong, and not up to his own standard.
Critical darling auteur Wong Kar Wai may have a knack for luscious cinematic compositions, but his limited narrative sensibilities hobble this scattershot romantic drama.
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The movie is all over the map in more than just its cross-country itinerary, and these stars are all far too good looking to imagine them as unrequited lovers and perpetual losers. But that blueberry pie sure looks awfully good. ![]()
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